1 INTRODUCTION According to Harrington and Michael (1981:6-22) Marxism is a political theory of Karl Marx, who describes Marxism as the worlds perspective based on the systems of society and a method of the general publics analysis, which focuses on class structure and the conflicts of society, this uses a materialistic connotation of historical development, and a dialectical view of their social transformation. Therefore modernism is an analytical movement that critics the cultural trends and altars, which arises from a variety and beyond change in the Western culture. This essay will be discussing a modernism artwork and analysis based on Marxism’s critic. 2 COMMERCIALISING THE FEMALE NUDE George Lukacs (1975:6) is a Marxist critic his theory plays a vital role based both on his own thought and the following growth of Western culture in Marxism. His theory will be analysing the artwork in the essay. Lukacs (1975:6) has a realist approach to the theory in which he argues, by explaining that all human happenings in relation to the capitalist system have become less only to the discussion of commodities. …show more content…
According to Shields, Keats and Daniels (2012:12) Ramos gained recognition in the 1960’s; women and commercialised subjects are his perspective in his artwork. His work has a contemporary style influenced by the likes of Andy Warhol and Roy Lichtenstein. Ramos work wasn’t really appreciated by feminists; reason being, most of his artworks is based on naked women, which comes across as being offensive towards society and provocative (Modernism:2000). The artwork also relates to the Art Nouveau movement, which has decorative art and architecture characteristics. With organic lines that are feminine like are the flowing lines that are being depicted on the subject as she’s holding an object in her hand, which could be a veil that has been stripped off of her