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Ludwig Hohlwein Life And Accomplishments

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Ludwig Hohlwein was born in the summer of 1894 in Germany. He was born into a prominent family and took advantage of his standing. He studied Architecture at the Technical University in Munich, and it was during this time that he created his first illustrations. After finishing his studies, he traveled abroad but eventually settled in Munich where he did many different things, not limited to architecture, graphic design, and interior design for home and ocean liners (Ludwig Hohlwein). Hohlwein settled very quickly into a very definitive style of artwork using harsh shading, keeping much of his work flat, and using clean backgrounds, allowing the subject matter to stand out. He also used large eye catching typography on his posters. He used print, …show more content…

One such poster was titled “Woman in Air Protection”. It was meant to emphasize the role of women in the air raid since they were allowed to join the air defense along with men (Bunker in Braunschweig). Other propaganda posters that contained female figures usually advertised the Union of German Maidens, an arm of the Hitler Youth. After Hitler was thrown from power, Ludwig Hohlwein’s reputation was tarnished. However, that did not stop him. He went on to create the advertisements for the 1936 Winter Olympic Games. Ludwig went back to his usual light color pallet using shading to create texture and interest in the subject, as he had done previously before working for the Nazi Party. Ludwig Hohlwein’s work even influenced other artists with his bold style. In 1936, Hohlwein created a posted of a “mythological winged being” symbolizing the Deutsche Lufthansa airline, the victory of the Nazi movement, and German triumph in the Berlin Olympics. This poster had clearly influenced artist Arturo Ballester a year later in 1937 with his “Hail to the Heroes” poster. (Megg’s, pg.

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The big gorilla that is holding lady liberty is representing Germany which is painting this picture that Germans are aggressive and angry people who are taking over. This also symbolises the American’s freedom being takes away as it is holding Lady Liberty which is what represents their freedom. The destroyed city and gloomy skies in the background add to the ominous and ominous atmosphere of war, emphasizing the urgency of the situation. The use of bold lettering and the exhortation to “destroy this mad brute” are designed to motivate Americans to join the fight and help defeat the enemy. This poster is a powerful example of propaganda and the use of visual media to influence public opinion and support for war efforts.

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Document 9 from The First World War A Brief History with Documents by Susan R. Grayzel, talks about a British poster titled Women of Britain Say- “Go!”, uses the image of a woman to motivate men to join the war. The British government encouraged women to persuade their husbands to protect them through this “damsel in distress” imagery because their lives could be threatened by the possible invading German soldiers. As a result, this imagery had a great psychological impact on the men in questioning their masculinity and this helped to recruit more men to join the military. Britain did not have a conscript military, so they used propaganda posters to draft

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In the middle of the poster, there is an angry gorilla wearing a German military hat holding a bat and a woman. The gorilla is to be representing Germany, as the country was very animalistic and unpredictable during the war. This can be seen as a form of racism, as the creator of this source is referring to a country as a wild, temperamental creature, which is a form of discrimination. The bold text at the top of the poster is used to invoke fear of the enemy as a military recruitment form. America wished for as many men as possible to enlist in the war to fight against Germany, so they created this fear of Germany to get able bodied men to enlist in the war.

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