ipl-logo

Music Law In The Digital Age Summary

980 Words4 Pages

Music Law in the Digital Age was published in 2017 by Allen Bargfrede, the founder and head of Rethink Music at Berklee College of Music. He mainly focuses his work as a lawyer on the intersection of art and technology. He holds a JD and a BA from the University of Texas at Austin and an MA from Northwestern University. The purpose of Bargfrede is to inform. He wrote this book in order to have a reference guide for online music distribution and the legalities behind it. He mainly teaches the basics of copyright law and policy as it exists today, and how copyright applies to music. So it seems that the intended audience are for people that don’t have any background knowledge of copyright and also for artist that just need a quick reference …show more content…

He claims that he has a passion for this field, and have been in awe of the evolution of the music industry from the eighties to today. It was published from Lifeware, a moderate website so the bias and intent of the publisher seems to be a minimum. Especially since the author’s main purpose is to inform. He mostly informs the public of the history of the growth of ITunes and their achievements so far. He also compares how the company has started to where it is today and also compared how it has grown compared to other companies. This will help me in my research paper because it will give me some hard data on how companies have grown in the music industry, and how the changes in copyright law affected the company as a …show more content…

The primary audience seems like to be the general public, however it can also be applied to legislation. Their anonomy may seem like a dent in credibility, however they claim that they do it because it allows them to speak in a collective voice and make a more effective argument. This source does seem a bit outdated, however copyright law is still similar to what it was 13 years ago I can still use this source. The source gives a view and the arguments of the copyleft ideas, where copyright laws are too strict and needs to be lighten in order for the music industry to progress. The main purpose is to persuade the audience to their argument. This source will assist me in my paper because it will give me the argument of why copyright law is too strict. It also gives me a list of counter arguments to go against the argument that copyright law is not strict

Show More
Related
1009 Words | 5 Pages

The issue later rises on how the court interpreted copyright law in terms of the digital era and the court’s indulgent understanding of

Read More
551 Words | 3 Pages

Paul Resnikoff, a publisher and editor in chief of Digital Music News admitted that those companies are changing the way listeners consume

Read More
308 Words | 2 Pages

Arguments, favors and oppositions Since Napster emerged, music sales in the U.S. have dropped 47 percent(RIAA,n.d.). However, Napster or any other music piracy is not to blame. In fact, music industry in 1980s and 90s was over-inflated(Swanson,2013). Artists receive a percentage of the music sales, and it is mostly between 12 and 14%(if you are a superstar, it can be 20%), after the deductions the retailer, the record company and the songwriter.

Read More
788 Words | 4 Pages

McIntyre, H. (2020). The Species of the Future. The Rise of Subscription Services in the Music Industry? Music Business Journal, 14(2), 45-58. Robinson, T., et al.

Read More
1780 Words | 8 Pages

The pirating of music affected the music industry by increase of protection of the content but radio listening still seems consistent. At first, compact discs sold soon became bootlegged so the product was harder to apprehend unless sold in mass production. In online distribution, the Internet allows more policing of pirating music due to algorithms to catch thieves. This action causes severely regulated content in comparison to previous mediums for music. The copyright protections help artist receive money for his or her work, but online music still attracts piracy.

Read More
1450 Words | 6 Pages

Furthermore, there are also specific considerations for those software designers who fashion applications for Apple’s network and the manufacturers who make the mechanisms and assemble the required products. Consumers would also be considered as an influential stakeholder. There are other industries to be considered. The music industry in particular having a substantial part and influence on the way the finances of the organization can be measured. It is through the expansion of the iTunes model and the capability to legally download content that Apple changed the consumption model for such broadcasting forms within a very short time, and the arrangement preserved between the company and music editors will continue to provide a key display of potential revenue forecasts (Coupey,

Read More
1532 Words | 7 Pages

Copyright Law’s New Makeover The ability to create, publish, and produce creative material is one of the most complex and beautiful gifts around and those who do so should have faith in the protection of their work. Copyright laws are the broadest of laws out there and are even harder to understand. Even still, they were put into place to protect the creative works of the public and punish those who infringe upon them. New technological advances are making theft of these products easier for those who participate in it and harder for creators to protect and benefit from their work.

Read More
647 Words | 3 Pages

At the end of our presentation we clarified that many music companies breach these laws, however they receive no penalties for doing so (evidence can be found in our script). We presented to a class of year twelves but hope to later present to a mature group of year eleven

Read More
306 Words | 2 Pages

In today’s world, the music industry can be very lucrative. There are several key players who compose, produce, publish, and market music. For instance, a music publisher plays a key part in the music industry. Some of their purposes are to manage, exploit, and collect payments for its copyright properties (Holzman, K). In an article written by Keith Holzman (2005), he stated that there are five different rights a music publisher controls: public performance rights, mechanical rights, print rights, digital rights, and synchronization rights.

Read More
640 Words | 3 Pages

Dolata (2011) notes that changes in the music industry are attributable to gradual changes in both the market and market relations. In this regard, there is an increased preference for digital music files and diverse marketing models including subscriptions, such as Rhapsody and Spotify, and digital-only music releases. For instance, in 2013, paid subscriptions accounted for about US$628 million, which was a 57% rise from the revenue obtained in 2012 (Friedlander, 2013). Moreover, the distribution of digital music is facilitated by the internet where streaming is a common phenomenon. Through streaming, fans listen to music for free or on paid subscriptions such as Pandora.

Read More
278 Words | 2 Pages

It is important to note the legal environment that surrounds the music industry in order to understand its prevalence in today’s society. Music law covers a braod range of legality including: copyright law, competition law, licensing, bankruptcy law, contract law, defamation, immigration law, health and safety, etc. For the sake of this paper, the focus of copyright law, publishing, and business law will be expanded as they are the main concerns for the music industries future. Copyright law protects music and other works regarding intellectual property of authorship.

Read More
1945 Words | 8 Pages

Chapter One Introduction The Urolithiasis is an increasing illness due to the modification in nutritional behavior and in the general life style. Urolithiasis is identify by the repeated clinical symptom and probable produce of organic injure of the renal and of the urinary system in addition to the possible raise in systemic blood pressure. furthermore, numerous require for medical cure and persistent urological management lead to adverse effects of these procedures . though, previously recognized they can be treated more specifically having an effect on the stone's formation development.

Read More
2724 Words | 11 Pages

According to RIAA statistics, the blossom of the industry began with the comparison of offline and online sales. With the popularity of digital, music industry focused on new strategies to develop their companies. From the above analysis it can be understood that the Music industry in UK is flourishing. But it still may be assumed difficult target for a new company. Internet and new technologies are developing every day and decline more and more new entrants in the market.

Read More
728 Words | 3 Pages

After the release of iTunes and many other forms of digital music in 1998, the music industry's profit has decreased by the billions! Digital downloading may have seemed like a musical revolution, but for the music industry, it was the start of a downfall. It all started in 1991 with the release of the MP3 soon they made websites to get the music for your MP3. Then in 2001 the Apple iPod was launched and 3 years later iTunes was launched. People flocked over to the opening of cheap digital sales.

Read More
1452 Words | 6 Pages

The music industry is indubitably one of the largest entertainment industries in world. Global recorded music sales raked in a total of US $15.7 billion in 2016 (International Federation of Phonographic Industry (IFPI), 2016). The music industry “consists of the companies and individuals that make money by creating and selling live music performances, sound recordings and music videos of songs and instrumental pieces” (The Audiopedia, 2016). Over time, the dissemination of music has evolved. In the past, vinyl records and compact discs were a common way to distribute recorded music.

Read More

More about Music Law In The Digital Age Summary

Related Topics

Open Document