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Molly Alveshire ESOC 316: Evolution Of Information Commerce

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Molly Alveshire ESOC 316, Seng March 31st, 2024 Evolution of Information Commerce The digital revolution has had a large impact on the way information is consumed. Which, in turn, has affected the commerce of books, movies, music, and software. This paper aims to explore the major trends in the distribution and sale of these forms of content, focusing on the implications of technological advancements, shifting consumer preferences, and emerging business models. By examining scholarly literature, this paper seeks to provide a comprehensive overview of the evolving landscape of information commerce. Digitalization has been a game-changer for the distribution and sale of information products. With the advent of e-books, streaming services, and …show more content…

Platforms like YouTube and SoundCloud have democratized content creation, allowing artists and filmmakers to gain exposure beyond traditional borders (Gomez, 2018). As a result, cultural exchange and cross-cultural collaborations have flourished, enriching the diversity of available content. However, globalization also raises questions about cultural homogenization and the preservation of linguistic and artistic diversity (UNESCO, 2020). Scholars emphasize the importance of supporting local content creators and preserving cultural heritage in the face of digital globalization. In conclusion, the commerce of information has undergone significant transformations in recent years, driven by digitalization, online platforms, piracy, subscription models, and globalization. While these trends have created new opportunities for content creators and distributors, they have also posed challenges in terms of copyright enforcement, business sustainability, and cultural preservation. By understanding the dynamics of information commerce and staying abreast of emerging trends, stakeholders can navigate this evolving landscape and harness its potential for innovation and …show more content…

(2018). Digital Platforms and the Globalization of Cultural Production. International Journal of Communication, 12, 1-23. Higgins, G. (2017). The 'Standard'. The Economics of Digital Piracy. Journal of Economic Perspectives, 31(3), 61-78. Jones, R. (2019). The Species of the World. The Impact of Digitalization on Book Publishing. Publishing Research Quarterly, 35(4), 512-527. Keller, E., et al. (2018). The 'Secondary' of the 'Secondary' of the ' Blockchain for Copyright Protection: Potentials and Challenges. Journal of Intellectual Property Law & Practice, 13(7), 560-567. McIntyre, H. (2020). The Species of the Future. The Rise of Subscription Services in the Music Industry? Music Business Journal, 14(2), 45-58. Robinson, T., et al. (2020) - The 'Secondary' of the 'Secon The Future of Book Retailing: Challenges and Opportunities. Journal of Retailing, 96(1), 78-92. Sisario, B. (2019) The 'Secondary' of the 'Secondary The Subscription Boom Hits a Ceiling! The New York Times. Retrieved from [URL] Smith, A. (2018). The 'Secondary' of the 'Secondary' The Impact of Digital Distribution on the Film Industry. Journal of Film and Video, 70(3), 45-60. Smith, J., & Johnson, K. (2016). Understanding Online Piracy: A Review of Existing Academic Research. Information Systems Frontiers, 18(3), 1-15. UNESCO. (2020) - The 'Secondary' of the 'Secondary' of the Re|Shaping Cultural Policies: Advancing Creativity for Development. UNESCO

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