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Susan sontag on photography "We take pictures
Susan sontag photography article
Susan sontag on photography "We take pictures
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Chuck Baird was born deaf on February 22, 1947, in Kansas City. He had three deaf sisters as well. Both his mother and father were hearing and it was discovered through medical testing that he and his sisters probably had Pendred Syndrome which caused them to be born death. Chuck Baird’s father was a hard working mechanic and his mother was a Red Cross nurse before she married his father. His parents worked hard to be able to send their three children to the Kansas School for the Deaf.
Polizer Prize-winning journalist, Donald M. Murray, in his essay for The Boston Globe, “The Stranger in the Photo Is Me”, argues that innocence changes overtime through photos. He supports this claim by first alluding to an artist’s painting. Then he speaks on himself in third-person, and finally reflect on the loss of innocence. Murray’s purpose is to describe his experiences in order to inform people. He adopts a nostalgic tone for people over the age of sixty.
In the book “Night” by Elie Wiesel, Elie tells about his dreadful experience as a Jewish prisoner in one of Hitler’s concentration camps. As he realizes all the cruelty he sees in the camps, he starts questioning his faith in God. He slowly starts losing faith/belief in God. The more horrible stuffs that happen to Elie, the more he becomes distant from God and starts showing less devotion towards himself. He began to change the way he was.
In war, there is no clarity, no sense of definite, everything swirls and mixes together. In Tim O’Brien’s novel named “The Things They Carried”, the author blurs the lines between the concepts like ugliness and beauty to show how the war has the potential to blend even the most contrary concepts into one another. “How to Tell a True War Story” is a chapter where the reader encounters one of the most horrible images and the beautiful descriptions of the nature at the same time. This juxtaposition helps to heighten the blurry lines between concepts during war. War photography has the power to imprint a strong image in the reader’s mind as it captures images from an unimaginable world full of violence, fear and sometimes beauty.
Street and commercial photography are two very different styles with different intentions yet they sometimes have a few things in common. These two styles can be portrayed in so many different ways. I will be comparing and contrasting the work of Zun Lee, a street photographer who specialises in portraiture and Matthew Coughlin, a commercial photographer who also specialises in portraiture. Portraiture may be a standout platform amongst the most established types of visual representation. A portrait is a picture about an individual; it may be a painting, photograph or an other alternative representation.
The article allows its readers to understand the importance and limitations of photography while showing the significance of new inventions during this era. The author makes two central claims throughout the article relating to the camera’s effect. Firstly, they say “His images
Analysis of “Migrant Mother” The famous photo of the Dorothea Lange known as “Migrant Mother” has become an icon of the great depression. It is an image of mother and her three children. The photo was captured in 1936 in Nipomo, California. To analyze any piece of art is totally depending upon the reader’s perception, what the readers sees in that piece of art they can present their own views about it.
A photograph is more than just a simple image; it tells a story. A story beyond a particular moment in time, it holds secrets and memories. The eagerness to comprise a moment in the perfect shot seems to become an obsession for many. In Kim Edwards ' novel The Memory Keeper 's Daughter, Edwards uses photography as a motif which coincides with the novel 's idea of secrets. David Henry, the antagonist of the novel, becomes fascinated with photography after choosing to give away his daughter and compresses his guilt with photography.
As a photographer myself, the theory of punctum is not unknown to me; however, the application of the concept of punctum towards the perfomativity of a photograph is unchartered territory. The photograph I chose to analyze is Dorothea Lange’s renowned portrait Migrant Mother, which is a Great Depression-era photograph featuring a migrant farmer, and is among the most famous photographs from this turbulent chapter of American history. The raw emotion in the mother’s face, paired with her body language and grimy appearance, captivates viewers; however, it is not the mother that makes this image so powerful to me, but rather, the turned away children framing their mother. This detail adds a new dimension to the portrait for me.
Just as Sontag emphasises in her essay, photography is useful tool that captures the memories, defenses against anxiety, and brings familiarity. In additional, personally I also believe that photos can empower the world by sharing
These photographers and filmmakers are significant for the blending of science and art that criticized culture and ideology. As we shall see later in this book, photos (and media) with a purpose live on and documentarians continue to emulate many of these stylistic techniques practicing the science of ecology of the
With war photography a photo isn’t just a image it is a trace of reality, an experience that was captured ,or even a moment. War photography is like an art that gives importance to real life events and also makes them worth remembering after you take them. When you take a photo it 's about telling the reality of that photo, about showing what others may not see, to make them aware of it though the images come from the media. However, when the photo serves as informing the world we find ourselves facing the world to see if it 's true or if it 's not true. If people could be there to see it for themselves, the fear and grief for just one time in their life, they would understand that nothing is worth letting things get to the point to where people get hurt but everyone can’t be there, so that 's why photographers go there to show them, to reach out, or to grab them and make them realize what 's happening to the world or to even pay attention to what is going on, to create a powerful picture to overcome the effects of the mass media and to shake people out of their indifferences that they have against each other.
By the power of photography, the natural image of a world that we neither know nor can know, nature at last does more than imitate art: she imitates the
1. Introduction Writing about a living phenomenon is a complicated effort especially when realizing it is a dynamic, changeable and heterogeneous structure. This happens when we try to study contemporary practices today, in postmodern era, which is definitely a special expression of specific moment. If Modernism, among others, tried to enforce authority, postmodernism brought anarchy. Many things found today in postmodernism can be traced back, transformed of course, in the main modern flows; dadaism, futurism, surrealism.
CHAPTER TWO LITERATURE REVIEW AND THEORETICAL FRAMEWORK 2.1 Introduction: This chapter would analysis photography under conceptual review as the main concept of this study, it would look at the history of photography, types of photography, and types of cameras available till date, followed by empirical review and lastly the theoretical framework would come at the end of this chapter. 2.2.1 History of photography The concept of photography was coined out of a Greek words “photo” meaning light and “graphy” meaning writing and when merged together the word means writing with light. Although different scholars proffered different definitions of photography, the concept, however still remains the same.
