Adonay has made his best effort to focus at his work in the classroom. His reading has slow progress throughout the year. Although, he reads most-text specific vocabulary, he still needs to decode unfamiliar words using appropriate strategies like blending and segmentation. It is also beneficial to develop his self-correction strategy by attending to meaning while he reads a text. Adonay finds challenging to interpret a text he reads as he struggles to access independently some additional meanings from a text.
Chapter seventeen of How to Read Literature Like a Professor focuses on how authors employ sex in their writing as a way to encode other things. For example, in the 2015 romantic comedy film, Trainwreck, Amy Schumer plays a young woman with a liking for booze, sex and drugs. The film begins with a scene where Gordon Townsend is explaining his reasoning for why monogamy isn’t realistic to his two little girls. The film then flashes twenty three years forward, directly into a sex scene featuring Amy and a one night stand. The scene is fairly short and it is obvious that the attraction on Amy’s side is limited, for she pretends to fall asleep soon after walking in the door.
How to Read Literature Like a Professor for Kids Correlations to Eragon Literature in all forms can be connected with each other. No matter the type, genre, or author all stories have underlying meanings that can be linked with another. These connections can be categorized and applied to all varieties of written composition. In Thomas C. Foster’s book How to Read Literature Like a Professor for Kids, he dictates various aspects that can be found in pieces of literature. There are many instances from Christopher Paolini’s bestselling novel, Eragon, that correlate with Thomas C. Foster’s How to Read Literature Like a Professor for Kids; the most prominent of these occurrences are coincident with chapters fourteen: “Marked for Greatness”, sixteen: “It’s Never Just Heart Disease… and Rarely Just Illness”, and eleven: “Is That a Symbol?”.
In Dwight MacDonald’s article, “Reading and Thought” he criticizes journalists on their lack of benefit and weakness in their pieces. MacDonald’s argument clashes with Henry Luce’s ideology of “functional curiosity”, the belief of having the “kind of searching, hungry interest in what is happening everywhere”. MacDonald wants to strengthen the practice of reading instead actually giving valuable information.
Kyle Guimarin Mrs. Mary Smith AP Literature September 20, 2017 How to Read Literature like a Professor In the novel “How to Read Literature like a Professor,” Foster gives insights on how to spot and pick up on many common literary terms such as irony and symbolism by using a very relaxing tone and referencing many common novels that most readers can identify and relate to. The novel is very educational and can leave the reader asking many questions, and by the end the reader should be reading books and literature in a very different way than they have before. To start off, Foster uses many examples to show the reader how to pick up on the different types of irony and what it really means in a story.
In How to Read Literature Like a Professor, Thomas C. Foster claims that all literature stems from other literature and in fact all literature is a part of one large work. A large amount of authors borrow ideas from other literary works. Of course, the seemingly most obvious author to borrow from being William Shakespeare. On the contrary, Foster believes that most of the exceptional Shakespeare quotes are overused and referencing Shakespeare can lead to something which Foster calls the “high brow” effect which means that referring to Shakespeare can make the author seem pompous. Other authors and literary works can be borrowed from as well, but many are not as widely known or are well-known now but won’t be for long.
Carlos Alejandro In the book “How to read literature like a professor” the author talks and explains how knowledge of and familiarity can help someone that has barely started writing make it easier for them and even easier for the person to understand and read like a professor. Learning to read like a professor entails learning how to read something logically, and the author explains some good characteristics of literature that can help the reader improve in the way they read. This book identifies and talks about older texts that literature to this day uses for example Shakespeare, the Bible and Greek mythology. The author also includes things such as setting, weather, to set the mood and the feeling the characters have, as well as some
Thomas C. Foster uses the twenty-fourth chapter of How to Read Literature Like a Professor as a place to investigate how authors employ illnesses to give meaning to their stories. But not all illnesses are physical, and Courtney Cole’s novel, Nocte, displays how the human body reacts to extreme trauma in ways of self-preservation. After surviving a car crash in which her mother and brother died in, Calla Price’s body shut itself down into a coma and rejected all notions that pointed to reality. Instead, her brain blocked out anything that could make reality seem real, and she woke up from her coma believing that her brother and mother were still alive. Her illness may not have been as literal as heart disease or cancer but her inability to
Important Strategies for Reading As the person reading the first thing that it is done is find a perspective that chooses the way a person is going to react and judge an author’s story. A perspective, which varies acutely on the person, since people origin from many different backgrounds, and experiences. Margared Atwood, explains, and describes several strategies in several detail in order to provide the reader with strategies that would hopefully apply improvement. One of those strategies mentioned by Margared Atwood is Interpretation, which is what decides what people focus on when reading a story or an article of their choice.
The author consistently cites the example of students who have grown up using the internet as an information gathering tool; She talks about how students today must be able to read and write for both the print and digital worlds, and that the “skills of reading and using technology converge as students search for information or answer questions with the Internet” (Schmar-Dobler 81). This convergence of skills is important when considering Schmar-Dobler’s earlier assertion about the nature of literacy itself changing. The author goes on to examine the model for reading comprehension, the proper strategies of which poor readers usually lack the knowledge of, and therefore tend to be thought of as a marker for identifying “strategic readers”. Strategic readers of the Internet, however, must add the skill of “navigating” in order to locate pertinent information and then take meaning from the text (Schmar-Dobler 83). Schmar-Dobler then claims that “To be adept at seeking, evaluating, and using information found on the Internet, readers must navigate through Internet text and apply their knowledge of the reading process” (Schmar-Dobler 83).
There are many factors in a story that makes a story more interesting and fun. The book, How to Read Literature Like a Professor for Kids by Thomas C. Foster, introduces some that help readers make a joyful experience while reading. A few important and essential factors are symbolism, having only one story, and little details. Symbolism is very important to novels. It expands our creativity and imagination.
Reading Strategy File One #1: Before Reading Strategy Name of Strategy: Anticipation Guide Description of Strategy: Anticipation guides prepare students for a story or a text. Anticipation guides help to motivate students to read a story, build curiosity and help students predict what will happen in a text or a story before beginning to read it. Anticipation guides also help students to self-monitor their own interactions with a text or story.
In “The 7 Habits of Highly Effective Readers” by Kavitha Rao, she express her opinion on the topic that the current generation is not reading for fun. She mentions several experience she had with other people, that don 't see the benefit in reading for fun. She says that since people aren 't reading more leisure anymore they 're becoming less creative, inarticulate, have poor communication skills and low confidence, which is caused by parents forcing their kids to read, and the education system need to have students memorize textbooks and nothing else. After reading this article I find myself disagreeing with Rao on several points she made, I don’t believe the modern attitude towards reading is causing people to be self absorbed and unimaginative, she also claims that book clubs don 't encourage reading for fun, parents are forcing their children to read boring books which turned them away from reading and that the educational system is to blame for college students for being inarticulate.
While traveling towards the path of seeping knowledge and analyzing critical ideals, we’ve become absent minded towards the components that gave us the ability to read. Since reading is always a part of our everyday routine, we have lost the idea that when it comes to learning how to read, we must start from the basics. From reading a case study, to reading a letter from a loved one, comprehension, phonological awareness, phonics, fluency, vocabulary, and oral language are the six essential components of reading. Before a child develops the ability to read, they begin to develop comprehension. Comprehension can be defined as the ability to understand.
As children read they use several strategies that allow them to consider information from different sources to construct meaning. These sources of information are broken into three groups known as the cueing systems. These cue systems are semantic, language, and graphophonic. Semantic Information signifies the meanings in the text and in the mind of the reader. It includes word meanings, subject-specific vocabulary, figurative language and meanings presented in images (G. Winch, p32 2010)".