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Techniques of Narrative essay
Narrative analysis reflections
Techniques of Narrative essay
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More handpicked essays just for you.
Techniques of Narrative essay
Narrative analysis reflections
Techniques of Narrative essay
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For example, when she puts aside her grave fear of consequence to traverse the bridge. Antigone is overwhelmed by her own stubbornness, which leads to a tragic situation. Antigone refuses to compromise with her sister, Ismene, whom when she first learns of her brother's death. Antigone's unrepressed emotions gives a voice of dissatisfaction with Creon’s. Ever since Antigone gets herself in that situation facing Creon’s wrath, but still she doesn’t make a decision on how to bury her brother.
She believed that God’s laws were higher than man’s laws so she was ‘pleasing those [she] should please most’ (Blondell, 23). While arguing with her sister, Ismene, about breaking the law, Antigone demonstrated her determination to bury her brother because she knew that it was the moral thing to do, regardless of the deadly outcome. She was willing to perform the ‘crime of piety’ (Blondell, 23) – the crime that was ‘honored by the gods’ (Blondell, 23). To her, following God’s laws was the most justified even if it meant that she had to break man’s laws, because the God’s laws were ‘not for now or yesterday, but live forever’ (Blondell, 38).
Tradition is a theme found in both the short story “The Lottery” by Shirley Jackson and the play Antigone by Sophocles. In both stories tradition is used as a tool to force people to conform to the “norm” of society. In “The Lottery”, the people of the town revolve around their annual lottery. Everyone is quick to help each other get ready for the event and also show no remorse for the end of the ritual. Nobody objects to the continuation of the lottery, although Mr. Adams brings up the rumor that a nearby village were talking about giving up the lottery but he was quickly shut down by Old Man Warner.
Antigone tries to persuade her sister by saying “ There it is, and now you can prove what you are, A true sister, or a traitor to your family” (Sophocles et al 190). Antigone tries get her sister to help her by telling her she has to make a choice between her family or let fear get in the way. Technically saying you’re with us or against us. Antigone knows that her sister Ismene will rethink her decision and take part in the burial. Antigone not only said that Ismene would be
History has shown that religious and personal beliefs frequently clash with societal norms and laws. An example of this is present in Antigone, a Ancient Greek play written by Sophocles in 441 BC. Antigone is a teenage girl(inferred) who was forced to decide whether to give her brother, Polynices, a proper burial or follow Creon’s edict which condemned Polynices’ body to be ravaged by nature. Eventually, Antigone chooses to uphold her beliefs and bury her brother even if it would lead to her death. Antigone’s immense dedication to her morals and her response to Creon’s edict help in understanding her views on moral authority and death.
Antigone uses both emotional and logical appeals to persuade her sister, Ismene to go against Creon’s rules and laws, to help honor her brother giving him a proper burial, thus giving him a chance at an afterlife. There brother risked his life for others and Creon allowed one of the men to have a proper burial but not him so while Antigone was trying to get Ismene to help give him what he deserves she said “He is my brother. and he is your brother, too.” (Sophocles et al. 191) This is logically persuasive because it is usually common sense to help your family through everything and to do what 's best for them.
In the scene in which Creon will not allow her brother to be buried. This goes against her personal beliefs she confronts Creon when she says “if I had allowed my own mothers son to rot, an unburied corpse that would have been an agony.” Creon wouldn’t allow Antigone brother to be buried even tho Antigone felt it was the right thing to do. Antigone is talking to Ismene about burying her brother but Ismene tells her to keep the idea a secret but Antigone disagrees and says “But I know I’ll please the ones I’m duty bound to please.
Once Antigone starts to realize her argument isn 't working she asks, “A true sister or a traitor to family?” (Sophocles et al. 190). Antigone uses a pathos or an emotional appeal here to try and convince Ismine. The appeal will help convince Ismene because no one wants to be called a traitor because it has a negative connotation. Also no one wants to let down there family.
When Antigone tells her sister, Ismene, her intention to bury their brother against the orders of their uncle, Ismene states that she will “. . . obey the men in charge. My mind / Will never aim too high, too far” (pg. 3). Antigone is a stark contrast to Ismene, who wishes to stay within the bounds of traditional society by staying obedient and submissive to men. Antigone has her own mind however, and is not afraid to make her own decisions.
The sisters are not the only ones that must face such choices, Creon’s son, Haemon, is in a dangerous position by fighting for Antigone and betraying his father's wishes. Antigone is a strong character that fights for what she believes in. She is not a person who is
In the play "Antigone" by Sophocles, Antigone rightfully decides to bury her brother, Polynices, but when the king, Creon, finds out, she does not repent for her actions. She is a woman that stands for what she thinks is right, which in this case is that Creon is wrong for condemning the burial of her brother. She shows braveness with her actions because not all people have the courage to risk their own lives so that their brother can rest in peace. For instance, Ismene states "What? You 'd bury him – when a law forbids the city?"
Antigone’s actions are motivated by her allegiance to her family, moral conscience, and religion amid Creon’s political injustice and tyranny. Antigone’s actions motivate her to demand Ismene to prove whether she is “a true sister or a traitor to your family” (26-27). Antigone maintains loyalty to her brother despite his actions which threatened Thebes. Her inability to bear the thought of her brother’s corpse being picked apart by animals and not being honored with proper funeral rites forces her to act. Antigone’s fierce allegiance to her family is laid bare as she is willing to sacrifice her life to honor her brother and defy the law in an act that she believes is morally just.
In the play Antigone, Sophocles demonstrates the conflict between family and God through the characters of Antigone, Ismene and Creon. Antigone being ambitious and strong willed throughout the play, fights for his brothers honor and proper burial while Ismene on the other hand, is more timid fears the consequences that may occur if the laws are broken. For Creon he is the King and holds most power, until the Gods feel he is incapable. Antigone, Ismene and Creon all use logical and emotional appeals to achieve a compromise to either bury Polynices or not.
“You may do as you like, Since apparently the laws of the gods mean nothing to you.” (Sophocles, et al. 192). This argument, though quite passive aggressive, is more ethical. The religion of the people of Ancient Greece was held to the utmost of importance, which is why such epics are written about them when someone dares to defy them. In this case, Antigone calls out Ismene for choosing to obey the rule of Creon rather than the rule of the gods.
She does not understand why she is being treated so unjustly for trying to do the right thing. The chorus in the play tries convincing Antigone that justice is behaving in accordance to Creon’s laws but Antigone is stubborn and sustains to her convictions. Even though Antigone ends up dying she dies achieving her goal of wanting to bury her brother properly. Mostly everyone in this play goes against what the main character feels is justly because they want to follow the kings laws and they believe she is acting immorally. Antigone is not acting immorally, she is doing the right thing to follow the law of the gods.