The statue is more than half the size of Yuny back in real life. The statue which is carved out of Limestone was found in the tomb of Yuny’s father, Amenhotep. There was at least two generations found within the single tomb. The height of the statue is 84.5 centimeters and it was consisted in the nineteenth dynasty. The statue represents Yuny seated next to his wife Renenutet.
Strike A Pose Assignment The sculpture that I chose is “Queen/King Hatshepsut kneeling”, which is a big red-granite statue of The Queen/King Hatshepsut. She/he wears the traditional clothing of King and emphasize masculine features. She/he is kneeling and sits straightly on her/his legs with arms down and holding two spherical jars. Furthermore, most parts of the sculpture are lifelike, and the materials on it should be pure in order to avoid rotting and show her/his noble identity.
Since having two faces isn’t common, it, in combination with the hair, becomes the focal point of the sculpture. The scale of this sculpture is miniature reaching only 9.5 cm. The small size of the sculpture makes the intricacy of the sculpture all the more
1) Title: “Artifact analysis for Art 1309 by Maria Nino, 11/17/17 2) Title of work of art: Kneeling statue of Senenmut 3) Description: In this twelve inches tall sculpture we can observe Senenmut, wearing what appears to be a wig, in a kneeling position holding firmly between his legs and hands a few objects. He is portrait holding a cobra that supports a sun disk and cow horns resting on a base composed of two upraised arms. According to the museum this represent the “hieroglyphic sign for Ka
War is hell, to say the least. When one country finds itself the victim of another’s attacks, there is a certain unanimity that accompanies retaliation; a patriotic refusal to back down by doing whatever it takes to ensure victory. Despite opposition from some, weapons such as guns and traditional bombs are expected in battles. Without disregarding the lives lost in war, nobody bats an eye at a bullet. The trouble comes when a weapon with the eventual power to destroy all human life is introduced; a weapon that can so easily be used haphazardly with a big picture blindness disguised as an ultimatum.
The portrait was painted on wood panel and in gothic like form. Nonetheless, this masterpiece is representation of time, the complexity of the painting and the
The stone sculpture, titled Garland Sarcophagus made by a Roman artist, this piece is created in the year AD 200-225. The Garland Sarcophagus stone sculpture is a coffin for inhumation burials of upper class, the physical condition of the sculpture is cleaned and restored. This sculpture is made in Rome, and belonged to the Roman Empire movement. The Garland Sarcophagus is not typical work, due to inhumation burials being an uncommon Roman practice during the second century A.D., until around the second and third centuries. The style of this art piece is classical Greek art, the Romans were influenced by Greek culture and literature, such as mythology.
The sculpture’s location is open thereby making it easily visible and it is also easy to access as well. The 12 ft tall statue’s core component is the seal which measures 12 ft in diameter. The seal which is cast in bronze features brown and gold granite setting as
and The Blue Woman in a Black Chair sculptures have demonstrate the various expressions sculptors can evoke. Through the usage of an approachable, engraved pedestal, the built bronze color and detailed outer aesthetics, Ana Koh-Varilla and Jeffrey Varilla convey the dynamic message of the profound ideas Mr. King presented decades ago and the eternal impact those compelling principles will have for decades to come. Segal, on the other hand strays away from an idealistic approach for exchange of expressing the realistic behaviors of life. Through the placement of the drapery, the tranquil blue color, and ambiguous form of the quiet figure, Segal highlights the relatable sedentary behavior of slouching, inwardly focusing on one’s self and one’s thoughts. In a quiet setting like the Blanton, Segal’s sculpture resonates with many individuals, however his art work was placed in an outside setting, there would be a barrier in embracing and fully connecting with the sculpture at
The sculpture gave a graceful appearance. The shape of the head is round. The sculptures eyes are oval shaped with bronze eyelashes that gave the appearance of darkened eyes. The sculpture’s nose seems to be chipped. Both the lower and upper lip are thin.
This sculpture reminds me of a sculpture found in early first century BCE. Aule Metele is an Etruscan sculpture that uses roman styles. The statue of Elijah Peirce and of Aule Metele both show the figures as older men with sad looks on their face. Though the medium of this statue is bronze instead of brass they are comparable visually based on the details. In conclusion, Weitzman’s use of personal information he gathered about Elijah Peirce was what made the sculpture along with his attention to
Athena Goddess of War and Wisdom, it takes a tremendous and strong woman to get a title like that. When reading about the Parthenon; like the construction, the history, and of course the statues, you really can understand how appreciative Greeks were back in Ancient times. The Parthenon was created to house the appreciated women, Athena’s statue. What is the history behind Goddess Athena; that brought so much pride and joy to the Greeks, with her title being so harsh and forceful to deserving a twelve meters high statue and temple dedication. In this paper I will explain to you, who this woman with very extravagant helmet was.
I selected this precise sculpture due to the personification of maternal love and protection sculpted by
John (me) and my daughter decided to go to the beach. My family wanted to take a picture. We seen a humongous statue. The Statue had a huge pale/bucket and we went under the bucket and posed for a picture.
It is the sculpture of a handsome and young ruler, namely, Augustus, sporting an ornamented cuirass and a tunic, with the figure of Cupid riding a dolphin on his side. The face reflects a youthful emperor, even though Augustus was about forty years of age when the statue was built. The Prima Porta style of facial composition comprises of, an expansive skull and slim chin, sharp-ridged eyebrows, hooked nose and a plump mouth and his hair is crowned with what is termed the Primaporta hairstyle. The breastplate is adorned with characters and is a composite of the narration of the Augustan and Tiberian propaganda, while he is barefoot. His right hand is
