In “The Century Quilt” many different techniques show the different attributes of the Century Quilt. The poem is in chronological order (Deleted end of the sentence), beginning with the blanket that she had before the Indian quilt, then continues to how she now feels with the new quilt. (Deleted beginning sentence) Enjambment emphasizes (Deleted end part of the sentence). like in stanza 13 when it is said “Now I’ve found a new quilt (break), I’d like to die under”.
(5 & 6) The poem is 46 lines, one stanza and flows like a song or is conversational. Alliteration used is the “s” and “b” sounds in phrases “I snapped beans into the silver bowl” (1), “that sat on the splintering slats” (2) and “about sex, about
Enjambment is used in Billy Collins’ poem, “The Names”, to create a flowing sound that mimics the flowing of the water droplets as they “fell through the dark” (Collins 7). While some authors’ style is short lines, this device nevertheless allows the writer to continue his sentence throughout multiple lines, rather than creating limitations for his thoughts at line breaks. Enjambment can help to produce a stronger rhythm in the poem, in addition to reinforcing the ideas articulated by the author; it also adds to the weight of the poem in that it emphasizes the continuity of the feelings evoked by the words. Although this section of the poem is centered on water and how it relates to the names of the dead from the tragedy that was 9/11, the
In the poem “The Century Quilt” by Marilyn Nelson Waniek, Waniek is able to craft a complex, contemporary poem using a variety of literary devices. Through enjambment, imagery, and chronological succession, Waniek describes the complexities of her quilt and reflects on it’s beauty and uniqueness. In lines 1-2 of “The Century Quilt” Waniek uses enjambment to start her poem with ambiguity and suspense. In addition, her use of enjambment slows the pace and forces the reader to digest each line as an individual thought, rather than a cohesive statement. In turn, the slowed pace and ambiguity of the opening couplet offers a preview to Wanieks unique style and syntax.
The overall construction of the Constitution designates that Congress may not direct State officials: “The Framers explicitly chose a Constitution that confers upon Congress the power to regulate individuals,not States.” It is the President's job, under the Constitution, to oversee execution of federal laws, but “The Brady Act effectively transfers this responsibility to thousands of CLEOs in the fifty States, who are left to implement the program without meaningful Presidential control”. However, Justice John Paul Stevens argued that the majority opinion misinterpreted Congress's power under the Constitution. Congress may not wrest the powers that the Constitution reserves to the States, but when it exploits its legitimate constitutional powers,
We find in many of the stories that the soldiers mentioned are haunted by the feelings of “guilt and shame”. These feeling seem to make them do irrational and crazy things. In the short story, “The Dentist”, by Tim O’Brien, we find Curt Lemon, taken over by shame for his fear of being seen and treated by the war dentist. Upon his first initial visit to the dentist, he had fainted. To prove to himself and the other soldiers that he is a “real brave man”, he returned to the dentist in the middle of the night and demanded that the dentist remove a tooth, even though he had no problems with his teeth (62-64) Later a story is told of Norman Bowker who hung himself because he could not get over the same feeling of shame that he felt for not having
In that stanza alone, she was intentional in her usage of commas to illuminate the importance for the reader to slow down and savor the small
In the words of Richelle E. Goodrich, “Vengeance is a monster of appetite, forever bloodthirsty and never filled.” Arthur Miller recognized this sinful inclination as it commonly circulated during the anti-communist, “Red Scare.” He corresponds this period to the 1692, Salem Witch Trials, another frightening occasion where wicked accusations loomed over civilians. At least 200 people were thought to practice witchcraft and around 20 were executed on account of this. Without a doubt, both incidents prove how quick someone can act upon bitter motives, specifically by spreading unscrupulous lies for the sake of getting even.
The tension presented in the first stanza is due to childbirth, and the pain and difficulty involved with that. The first line, “ I can remember you, child” , is an automatic attention - drawer, it also causes tension as it shows how fearless the poet is due to the boldness of the statement. The enjambement used within the first stanza allows the tension to build, as it acts like a continuous build- up to something significant (in this case - childbirth). This tension is then continued with the alliteration of “first Fierce confrontation”. The emphasis supplied by the literary device means that this quote will stay in our minds, whilst allowing us to easily flow through the stanza.
Niemoller uses many devices to convey his tone and message, such as repetition, more specifically epistrophe. Epistrophe is the repetition of words or phrases at the end of sentences. Niemoller shows his regret by repeating “and I did not speak out” at the end of every sentence. By doing this, he puts emphasis on the words “I did not speak out”, therefore creating a tone of regret for not helping his peers. Niemoller also uses pauses in his poem.
The effect of enjambment demonstrates to the continuation of a sentence without any pause and then moves to the next stanza to complete the thought. Another poet’s auditory choice that Dunn’s poem uses, is long-running sentences, which it affects the sound of text and allowing the reader to read the poem with some fast pace. For example, the long running sentence in line 1 through line 5 demonstrates a pace on the text, allowing the reader to feel anxiety, or being in the competitive race: “This time I came to the starting place with my best running shoes and pure speed held back for the finish, came with only love of the clock and the underfooting and the other runners.”
By doing this, Jones is setting a good mental image when reading her poem. Jones uses middle diction. She does not use incomprehensible words, but still inserts an elegant, and appropriate way of writing. Her anatomical
The first stanza contains 6 lines, with 3 of them being enjambment lines and the
“The Untitled Superhero Poem” by Tonya Maria Matthews is a great example of stream of consciousness, displays great use of enjambment, and is an ideal representation of witness poetry. One of the first things that a reader will notice is that there is no punctuation in the poem until the very last line. The absence of punctuation, also known as enjambment, causes the reader to continuously read the poem without stopping. By using this device, Tonya Maria Matthews is forcing the reader to take in everything that is said in the poem at once. This device also gives high energy to “The Untitled Superhero Poem.”
An example of an enjambment from the text is, “There is/ no way to know how easy this/ white skin makes my life, this / life…” (Olds 26-29). The enjambments, although simple, give the poem a much more powerful meaning, by showing the harshness of the reality for blacks during this time period. They seem to reflect the thoughts and emotions of the poem and the author. It shows that she feels somewhat guilty, because of what she has in life because of her skin color, as opposed to what the boy has because of his skin color.
