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EFFECTS of propaganda
Role of mass media in shaping public opinion
+negative eefects of media exposure to violence
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Within the image, a giant plume of smoke covering the earth with the words, “War”, “Poverty”, and “Prejudice”, is the context of the image and what was going on around during the Apollo 11 mission. In the top left, the moon with the man watching T.V represents the world watching the moon landing. The appeal to logos is the implied message that is seen in the image: the Apollo rocket leaves behind global issues while the world watches the event rather than the threatening black cloud of smoke. The idea that a moon landing is more important than global events that cost lives would be preposterous to most people. Yet, this is the case that is portrayed within this image.
For this quote which shows such a huge meaning of imagery “we are apt to shut our eyes against a painful truth”. The meaning for this quote is when the most hurtful moments of our life is when we're weaker than ever. The second quote is “shall we acquire the means of effectual resistance by lying supinely on our backs and hugging the delusive phantom of hope, until our enemies shall have bound us hand and foot.”. This quote means that once the people are hurt there's no going back and they have to watch for each other back. The rhetorical strategy, imagery, establish to show that what life has for us and that there's always way to conquer them.
Sometimes though, omitting an image means shielding the public from the messy, imprecise consequences of war- making the coverage incomplete and even deceptive.” (Daghett 2) This reflection shows that Daghett does not want graphic imagery to be shown merely for shock value, but rather that she believes it has an instrumental role in keeping the public informed and aware. While a noble thought, there are many questions that can be raised from this sentiment. For example, what would factor into determining what photos are necessary or unnecessary for the public to see?
Hi Conchita Your statement about the outward appearance of a person does not match the inward emptiness of a person's spirituality is on point. The first step toward salvation is acknowledgment. This decision is a made up mind to exchange our will to the will of God. I agree with Michael Jackson's song, The Man in The Mirror, and I have shared those lyrics with the church members and the women's ministry.
“They dramatized the need to check on the safety of fire escapes” (731). This proves that people would be more cautious of their fire escape after looking at these photographs; sometimes, it is acceptable to invade privacy if it will benefit people. With the picture of the dead Syrians, it was vital to photograph images to the public so people can see how sickening the current state of Syria is. Photographs, literally and metaphorically, are more vibrant than sentences. This can get people to take safety measures so similar incidents do not repeat again.
Many people today are constantly exposed to advertisements and social media. Whether that be on television at the gym, scrolling through social media on lunch break, or in the car on the way to work, modern society has embedded constant visual rhetoric into their lives. Being exposed to such a thing has almost dulled modern day’s senses to all the elements of visual rhetoric in an ad or a magazine. Among the galleries of the online baseball book This Great Game there hides an image of the hall of famer Jackie Robinson after he had been hit in the head by a fastball. The illustrator used careful tactics of photoshop, diction, and framing to push forth the message that Jackie Robinson shone as a beacon of light for the civil rights movement and
Another example of imagery is when Wiesel described the hanging of the pipel. Earlier in the chapter, Wiesel had emphasized the degree to which he and the other prisoners had been used to the sight of hangings, every prisoner having been forced to go through repeated beatings and humiliations… The hanging of this very special child, in marked contrast to all the other hangings the prisoners observed, marked a new level of brutality even for the Nazis. For the first time, Wiesel notes, the other prisoners cried at the sight of the boy’s hanging – a cruel execution because of the fact that the kid was lightweight, so he didn't die quickly. It was this hanging, that prompted others to doubt the presence of GOD.
These photos tell the gruesome truth of the Armenian genocide, they demonstrate the suffering the Armenians went through, the starvation clear by the malnourished bodies and also show the significant number of the dead, as proof of the genocide. The photos also show the innocence of children during the genocide, as they watch on horrible scenes of the dead or other dying children. This furthermore proves of the attempt at genocide, as there is no discriminating or reluctance; men, women and children were all
What people see and hear repeatedly will almost certainly affect their world view in a multitude of ways. This is what made anti-Japanese, pro-American propaganda so effective. While Japanese Americans were tucked away from the public eye the rest of America was learning to justify their actions by making the victim look like the enemy. One famous example of this is the “Tokyo kid” posters that were published during that time. They featured “Tokyo kid” who was a gruesome goblin-esque depiction of a Japanese person.
In many pieces of art, the difference between the survivors and perpetrators is visible and emphasized. A significant piece of art by Doris Clare Zinkeisen in 1945 called “Human Laundry : Belsen” with visuals of nurses taking care of mistreated people demonstrates the appearance of holocaust jews in the camps. The jews were not fed and mistreated in the camps based on the contrast of the perpetrators to the survivors. The art displays the difference in their well-being as the bones of the Jews are visible, while the perpetrators seem well fed and have easy lives. The jews are also extremely skinny when compared to the nurses, officers, and doctors at the camp.
" These images convey the sense of disorientation and confusion that soldiers experience as they navigate an unfamiliar and hostile environment. Furthermore, the use of imagery underscores the idea that war is not just a physical battle, but also a mental and emotional one. As O'Brien writes, "The war wasn't simply good versus evil, it was also about men who were struggling to find meaning amidst chaos."
An initial reaction to this artwork is a feeling of mourn with an explosion of emotions. At first, the artwork serves as a symbol of sorrow, despair, and melancholy. The title of the work adds a dry, bland sense to the meaning behind the drawing. Through observing the drawing more strenuously, the work becomes more of a symbol of war and a cry for help. The despair and troublesome times that the working class went through during war is characterized in this artwork.
Professor, Pulitzer Prize-winning author, Donald M. Murray, in his article, “The Stranger in the Photo Is Me”, suggests that innocence cannot be regained once it is lost, and he supports this claim by first reflecting on who he was before the photograph. Then, he detaches himself from the photograph because of his personal development throughout the war he fought in, and finally concluding that one cannot regain innocence after something as traumatic as war. Murray’s purpose is to argue in order to prove that war changes a person, adopting a nostalgic tone for the elder, over sixty, generation that is his audience. Murray admits that he used to never care to look at photographs, an example of his past self, but now, he gives them “a second glance” even “a third” (8).
With war photography a photo isn’t just a image it is a trace of reality, an experience that was captured ,or even a moment. War photography is like an art that gives importance to real life events and also makes them worth remembering after you take them. When you take a photo it 's about telling the reality of that photo, about showing what others may not see, to make them aware of it though the images come from the media. However, when the photo serves as informing the world we find ourselves facing the world to see if it 's true or if it 's not true. If people could be there to see it for themselves, the fear and grief for just one time in their life, they would understand that nothing is worth letting things get to the point to where people get hurt but everyone can’t be there, so that 's why photographers go there to show them, to reach out, or to grab them and make them realize what 's happening to the world or to even pay attention to what is going on, to create a powerful picture to overcome the effects of the mass media and to shake people out of their indifferences that they have against each other.
It visualizes the issue to get support because people don’t take action if they don’t see the problem. So, the possibility of saving lives, preventing the wrongdoings increases with the more visibility the issue gets. 4 years ago, the image on the top was published like a pop-up ad. Approximately, 24.000 people clicked on it and found out the ugly truth about human trafficking. Besides, the media can reach billions of people and it is able to mould public opinion.
