Slapstick film Essays

Understanding Film 24 April 2023 Mise-en-scene’s Role in Mr. Hulot’s Holiday’s Slapstick Comedy Despite having sound, the structure of Mr. Hulot’s Holiday (1953) is highly reminiscent of a silent film. Sound plays such a minimal role that the film that the visual components naturally rise to prominence. With a film so reliant on what is in front of the camera to convey meaning in each scene, mise-en-scene in Mr. Hulot’s Holiday becomes the primary element in fulfilling the film’s purpose as a slapstick comedy

Dario Fo’s play The Accidental Death of an Anarchist is a farce based on a 1969 incident in which an anarchist railway worker, Giuseppe Pinelli, who was arrested as a suspect of terrorist bombing, fell out of a fourth floor window, raising questions as to whether he jumped or was pushed out of the fourth floor window, at a police station during the course of an interrogation in Milan. Fo set out to use the events as an inspiration to write one of his most successful play. However, the madman is the

In the widely popular sitcom How I Met Your Mother, an episode exists in the ninth season entitled “Slapsgiving 3: Slappointment in Slapmarra,” which is a continuation of the running gag in the series where Barney, losing a bet, allows Marshall to slap him without resistance at any three times during the series. Greeted with controversy, the episode involves the all-white cast in yellow-face in a seemingly innocent gag with potentially detrimental social consequences. While the entire episode raised

What is laughter and it’s purpose Laughter is the psychological response to humor that is part of the universal human vocabulary, which consists of two parts – a set of gestures and the production of a sound. Laughter has a social factor of bonding with individuals within a group, which is often positive, but can have negative aspects as well. There’s a clear line drawn between “laughing with” and “laughing at” people. The difference with this is, people who are “laughing at” other may be trying

Charlie Chaplin and Buster Keaton were both comedic geniuses that rose to fame at an early age. Both known for their outstanding slapstick comedy films, it is still debated which of the two is the greater comedic genius of his time. While the two shared many similarities, their movie styles differed from one another quite a bit. Their acting, storylines, and on-screen personalities has their own vey distinct styles. Throughout his acting career, Chaplin experimented with a few different character

As a larger genre, slapstick is categorized as a type of physical comedy often including “absurd situations, and vigorous, usually violent action.” The Slapstick you may be most familiar with was aggrandized by early film stars such as Charlie Chaplin, Harold Lloyd, and Buster Keaton. (Britannica) Your classic bottle to the head, pie in the face, or classic slip on a banana peel can all be viewed as forms of slapstick comedy. Slapstick horror is a unique subgenre of horror that combines physical

genre keeps the audience engaged and on their feet at all times during the film. Action films date all the way back to the silent film era. The Great Train Robbery was considered the first Action film as well as the first Western. Action movies consist of lots of movement and tension to keep you on the edge of your seat. The genre has the typical heroes’ vs villains, and the hero always wins. During the 1930s, action films weren’t such a big hit. Action became the most popular during the 1980s and

The Walt Disney film “Who Framed Roger Rabbit?” is a classic comedy film that was released during the year 1988. This classic movie’s plot is set in a world where cartoon characters exist alongside humans and follows the story of a private detective who goes by the name of Eddie Valiant, who had been hired by R.K. Maroon to investigate a case involving no other than famous cartoon character, Roger Rabbit. The movie ‘Who Framed Roger Rabbit?” is a great example of a classic comedy because of the film’s

deserve, their own comics, named manga. This tendency is not exactly new, since films based on manga/anime were being shot since the 70's. However, it is the first time that so many and so expensive, and subsequently so elaborate productions, are being made. This is chiefly attributed to two factors: 1. The people behind those films finally realized that they could not squeeze 8 or more hours of anime into a single film, and thus decided to present the movie in two or three parts, retaining in that

This paper will deconstruct the recent representations of North Koreans in various South Koreans films made in the past two decades during the Sunshine Policy period. It will analyse firstly how North Koreans were being portrayed in South Korean films before the implementation of the Sunshine Policy period, and how the Sunshine Policy itself facilitated and led to the creation of several Korean films that featured aspects and struggles of North Korean people. However while South Korean filmmakers

Keaton was an American comedian, actor, director, and producer. He was born in October 4, 1895 in Piqua, Kansas and died in February 1, 1996 due lung cancer. He was known as the “Great Stone Face” and also for his expression and visual comedy in silent film industry. Born in a family of vaudeville, he was the oldest among three siblings. He has one brother name Harry and a sister name Louise. Buster got his name from a magician called Houdini when he saw buster falling from a stair and got unharmed. Basically

Topic 1: Film genres Through the 1995 film “Clueless”, written and directed by Amy Heckerling, the idea that film genres are located in industry and texts and audiences is clearly shown. “Clueless” is an American typical romantic comedy. This film can be seen as a hybrid genre as it include different characteristics of two film genres. In this movie, elements of humour and romance are both illustrated by its generic formulas and story content. The film talked about the heroine Cher goes through her

was well known in the early years of silent films. Comedies are produced to draw laughter from an audience, to create amusement. They’re more light-hearted than most other genres and usually have happy endings. Like all genres, comedies come in different types. Comedies normally are one of two formats: comedian-led or situation-comedies that are told from a narrative. Then they’re broken down into specific types of comedies, some of which are: slapstick, deadpan, screwball, black comedy, and parody

movie Hotel Transylvania, Ben Kendrick expresses his opinion of the film through different rhetorical strategies. The language used throughout the review support the writer’s judgement that Hotel Transylvania is a “poorly stitched together” kid’s movie. Kendrick is disappointed that Genndy Tartakovsy, the director of Hotel Transylvania and well known for directing Clone Troopers, didn’t deliver an animated fun heart-warming film for all ages. He uses words and phrases such as “underwhelming,” “egregious

characteristics, but still tries to do their best and be righteous. Play consists of common people instead of higher ranking characters and the protagonist can be a hero or anti-hero. Until this day modern tragedies are still written. 7. Low Comedy/ Slapstick/ Farce- This type of comedy is aimed mainly for kids and the main goal is for entertainment. Exaggeration is the key to make audience laugh and it consists of face-paced action and main focus is from head down. There is no main point or moral to

Quite as what has been suggested by him, comedians such as Charlie Chaplin and Buster Keaton made films to express their attitude to the social changes; it can be said that some silent comedies are the reflections of the uncertainty during that era. Stuck to the old value in 19th century, Chaplin implicitly expressed his resistance of mechanization, capitalism and modern society . In his film Modern Times (dir: Charlie Chaplin, 1936), Chaplin played a worker who is mechanized as a robot on the assembly

Jean Luc Godard has been quoted saying, “I think one should mention Griffith in every discussion about the cinema, everyone agrees, but everyone forgets, nonetheless”. To this he exemplifies the great impact his early films have on cinema and the conversations they provoke both technically and culturally. Through D.W. Griffiths, Birth of a Nation, one can explore the strategic use of storytelling, the ability to represent historical events so honestly despite any setback, and the influence of future

first short film ever, it was a melodrama about California in the 19th century, when it was under the ownership of Mexico. After that Griffith begun doing a lot of short melodramas which helped evolve his style. This all came together when he created The Birth Of a Nation. Griffith created the tracking shot, Closeup, as well as utilizing different colors to show whether it was night or not. Charlie Chaplin and Buster Keaton popularized slapstick comedy during the silent area in America film and used

François Truffaut states the idea that the true author of a film is the director. The Auteur Theory revolves around how the director leaves an implicit mark on the film and because of this cinematic, literary, or thematic signature or motif, they are credited as the author of the film. While there are numerous people involved in the production of a film, with some directors it is truly prominent who can be described as the author of the film such as with Mel Brooks. Mel Brooks, renown comical director

Buster Keaton is a prominent American film comedian who rose to fame during the silent film era. Keaton aided in the development of American comedy through the original content and unique style of performance shown in his films. In many of Keaton 's films, he showcases the way in which his character attempted to disentangle himself from various conflicts that arose through the use of different comedic devices, such as physical comedy and impassive facial expressions. Keaton 's use of such devices