Yayoi Kusama Essays

Yayoi Kusama is a multi-talented artist, who specializes not only in painting, but also in drawing, sculpture, installation art, performance art, film, fashion, and writing. Kusama wrote a number of books and novels, such as Yayoi Kusama: Driving Image, Lost in Swampland, and many more that comprise of poems that she has written and paintings that she has made. Kusama uses psychological, sexual and autobiographical content in her creations and it is with the connection of her personal life that

Yayoi Kusama is one of the well known japanese artists of our century. Her works brought new understanding to installation art, they inspired people all over the world. Her popularity busted during her stay in New York from 1957 till 1972. She knew many famous artists of that period like Andy Warhol, Joseph Cornell. Her installations caused lots of discussions among artists and critics. But the questions that interest us today is where Kusama’s inspiration came from, what were her inspirations and

Yayoi Kusama’s work has transcended two of the most important art movements of the second half of the 20th century: minimalism and pop art. Plagued by mental illness as a child, and thoroughly abused by a callous mother, the young artist persevered by using her hallucinations and personal obsessions as fodder for prolific artistic output in various disciplines. This has informed a lifelong commitment to creativity at all costs despite the artist’s birth into a traditional female-effacing Japanese

factors that influenced the style of Yayoi Kusama’s installations. Yayoi Kusama is a famous Japanese artist. Her works draw attention of thousands of people from around the world. Her artworks are developed across a broad range of media. The works were influenced by different factors including social conditions, period of time, personal life, but the major influences of her installations are personal influences at childhood and mental illness. In her entire career, Kusama continues to reexamine multiple

Subject: "The Obliteration Room" is a work by Yayoi Kusama in the genre of interactive art that encourages visitors to place colourful stickers throughout a minimalistic white room, creating an ever-evolving masterpiece. The artwork itself is observed and experienced in real time; as more visitors place down stickers, the work becomes more whole. This immersive experience delves into the themes of freedom and community while challenging traditional artistic norms. By rebelling against the conventional

how many of the modern and influential artists including, Yayoi Kusama, Gerhard Richter, and Pablo Picasso interpret the meaning of physical representation, through the use of different cultural backgrounds, personal stories, different eras and own interpretations of oneself, others, times and places. There were many interesting and inspirational exhibitions at GOMA including, Picasso - The Vollard Suite, Measures of Distance, Yayoi Kusama - Life Is the Heart of The Rainbow, Gerhard Richter - The

Known as the "Polka dot Queen ", Kusama started using polka dots and nets as motifs and created fantastic paintings in watercolors, pastels and oils as early as about ten years old. In 1957, she left Japan to the States and she exhibited large paintings, soft sculptures, and environmental sculptures using mirrors and electric lights in Seattle and New York. Yayoi Kusama is also good at using mirror and water to express her idea of Infinite propagation. From the time of her New York resident period

In this essay I will be discussing Pop Culture and Pop Art, supporting it with an analysis of two Pop art works. One from Yayoi Kusama an artist whose work spans a period of almost 70 years. The second art work will be that of Takashi Murakami a Contemporary Pop Artist. This era in art was defined by its rejection of previous art movements which focused on abstraction. The Pop art movement was characterized by the mass reproduction of the “sign” which can be linked directly to the time where industry

According of a psychological theory is egoism . Firstly, psychological egoism is a theory about the nature of human motives. Psychological egoism suggests that all behaviours are motivated by self-interest. In other words, every action or behaviour or decision of every person is motivated by self- interest. It also suggests that every action must be motivated by self-interest. It because psychological egoism states that every act of every person is motivated by self-interest, it is universal. The

This ceramic sculpture by Yayoi Kusama. This title is "Pumpkin Chess Set ". It was made in the year 2003. Medium are used is painted porcelain, with high 122.5 x 122.5 x 75 cm (48.2 x 48.2 x 29.5 in.). Yayoi Kusama is a Japanese artist and writer. Throughout her career she has worked in a wide variety of media, it is including painting, collage, sculpture, performance art, and environmental installations. The most of which exhibit her thematic interest in psychedelic colours, repetition and pattern

the changes in ideas and values since the 1970s. Physicality in art is using material objects to express their ideas and concepts in the physical environment. Experiential art is drawing the viewers into experiencing their own creative worlds.Yayoi Kusama uses physicality and experiential by creating paintings, collages, sculptures, performing arts and environmental installations with psychedelic colours, repetition and pattern. Andy Goldsworthy creates physicality and experiential art by working outside

When looking at the numbers of past years it is very clear that women are underrepresented in the art scene and especially in prestigious galleries and art museums. As stated on the website of the National Museum of Women in the Arts 51% of the visual artists today are female but only 33% of the artists represented at the prestigious Venice art biennale were women. More shockingly according to the numbers women have to be naked to get into the famous Met museum in New York. 3% of the works were

the authoritative culture and the art on the shelf, not only resisting against the traditional academic school, but also the negative elements of modern art, nihilism Anarchism. This is the spiritual core what mainly the Pop Art wants to express. Yayoi Kusama

Jacobs, one of the prime examples being the many partnerships with contemporary artists. During his time as creative director for Louis Vuitton, Jacobs worked with various artists such as Stephen Sprouse, Takashi Murakami, Richard Prince, and Yayoi Kusama, to create truly unique collections (Tokatli 1264). These choices were strategically made, as Jacobs recognized and stated himself, that “the cross

The Hirshhorn Museum and Sculpture Garden, located on the National Mall in Washington, DC, is a unique museum in a city filled with cultural institutions. The distinct architectural design and the focus of the collection on modern and contemporary art, primarily by living artists, sets the museum apart from the numerous other art museums in nearby, and has helped it to develop into an iconic part of the Smithsonian Institution’s museum complex. The Hirshhorn is heavily tied to the memory of its founder