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How Does Tim Burton Use Cinematic Techniques

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Tim Burton, a writer and director, has one of the many unique styles in which he utilizes when directing films. While watching his films, imagery, tone, mood, diction, and syntax play a big role. Although, how does he do it? In the movies Charlie In the Chocolate Factory, Edward Scissorhands, and Big Fish, his use of cinematic terms, low key lighting, low angle, and flashback portray the mood and tone. Such as: the feeling of being skeptical, unnatural, and breathtaking. These effects help bring the audience closer to the characters. Burton uses cinematic techniques such as low-key lighting to show how a character and or scene is suspenseful and eerie. In Charlie In the Chocolate Factory, there is a use of low-key lighting when Willy Wonka …show more content…

An example of a low angle shot in Charlie and the Chocolate Factory is of the people walking into the factory with the factory behind them, toppling over them. The way of the building toppling the citizens makes them look weak and powerless compared to the factory because the factory is gigantic and contrasts the tiny people. It makes the audience feel how the opening of the factory is a big deal for the citizens. In addition, in the film Edward Scissorhands, Burton also creates low angles when Kim is dancing in the snow that is made from Edward shaving the ice sculptures. This example is efficient in showing how one character can change. Kim now appreciated Edward more than before because in the beginning scenes of Kim and Edward, Kim seemed to be embarrassed of Edward when she was around her friends, but she now valued Edward. An example of low angle shot in Big Fish is when Edward meets up with the giant [Karl] for the first time. This use of low angle shot between Edward and Carl gives an effect, showing that Karl is reckless and Edward is weak because Karl topples over Edward. Burton’s use of low angle shots provides an effective tool to help the audience feel like they have a place in the film and to show the contrast between two

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Charlie And The Chocolate Factory. He uses two shot to array how Miniscule the Oompa Leader is to Willy Wonka, As well as using a long/wide shot to show how large the candy room is. Another example would be in Edward scissorhands, Tim Burton uses a bird’s eye to show edward in his garden walking inside, it also shows how huge his house is, in Big fish he uses a two shot

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Tim Burton's Sets The Mood When listening to scary story commonly the lights are off and the only illumination is from a flashlight placed closely under the storytellers chin. Tim Burton uses uses stylistic techniques such as low key lighting and close up shots to convey a spooky tone in his films, such as Big Fish, Edward Scissorhands, and Charlie in The Chocolate Factory. In the film Big Fish Tim Burton uses low key lighting to convey a spooky mood.

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Tim Burton, a well-known film director, has many more opportunities to display tone and mood than an author would. In movies such as Edward Scissorhands and Alice in Wonderland he uses various cinematic techniques to display eerie moods and tones. Burton’s films astonish many audiences because of his brilliant use of sound, angles, and lighting to display a unique, gothic, and unusual style for himself. Tim Burton, in Edward Scissorhands, uses lighting to create different tones and moods, as well as displaying his unique style. In Edward’s mansion the lighting is always low key.

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Burton used camera angles in Big Fish when Edward Bloom first met Karl the giant. Burton made Karl look bigger because he was using a high angle on the back of Karl making him seem more intimidating and big, while we worry for Edward because he seemed small and helpless. He repeats this technique in 9 when the 9, the main character was being introduce, Burton used a high angle on him to show just how small and helpless he is in his world where there is danger in every corner. Alice in Wonderland also has a lot of camera angles one scene in particular shows how Burton uses camera angles to make us feel threatened and feel sorry for the character, that is when Alice and the Jabawockee were about to fight, Burton is using a low-angle when the camera is facing towards the Jabawockee making him seem powerful and big, while he uses a high-angle on Alice which is the opposite to make her look more vulnerable and

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Across films, Tim Burton uses color, low key lighting, and motifs to illustrate his original style. Burton uses color to represent his unique style and characterization. Such as in Charlie and the Chocolate Factory, Willy Wonka’s outfits

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In the movie, Edward Scissorhands, Tim burton uses low-key lighting when Peg meets Edward for the first time in a castle. Edward was sitting in a dark corner and there was just enough light to see his face but not his clothes. This shows the amount of loneliness of Edward and that he was sad and frightened but also willing to make a friend when he approaches Peg. Also, in the movie, Charlie in the

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In Burton’s films, lighting is used to show happiness or sadness. For instance, in the movie “Charlie and the Chocolate Factory”, it is shown how dark and gloomy the town is while the factory is disconnected from society compared to when Charlie's grandfather was younger, working in an upbeat and colorful environment. Nevertheless, the lighting in his movies are manufactured for you to think a certain way of something when it could actually mean something else. With the accompany of lighting, Burton’s films

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Tim Burton’s distinct style became evident in his very first films and stayed clear in his later film, while the plot of Burton’s films vary greatly his style stays pronounced. This can be seen across his many movies from Charlie and the Chocolate Factory, Edward Scissorhands, “Vincent”, and “Frankenweenie”. In all of these films his distinct style is developed through the use of a strong contrast of high and low key lighting to show contrast between characters and circumstances, a recurring motif of mobs antagonizing the antagonist, and the frequent use of shot reverse shots to show the development of the relationship between the outsider and the people on the inside. With the use of a contrast between high and low-key lighting, a recurring mob motif, and the use of shot-reverse-shots Tim Burton develops his hopelessly bleak style. One of the most evident cinematic techniques that Tim Burton uses to develop his hopelessly bleak style is the use of a strong contrast of high and low-key lighting or colors.

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In Charlie and the Chocolate Factory, Burton uses the exact technique when the Oompa Loompas come into play. A more exciting lighting is used in combine with the music

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Tim Burton uses lighting, sound, and camera angles to portray the joy and sadness each of his characters experience to capture the empathy of the audience. The type of lighting, such as high key and low key lighting, in a scene often shows what the mood will be. In Big Fish, when William goes into his father’s room in an attempt to get him to drink something there is a considerably low amount of lighting. The only light in the room came from

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For instance, Nightmare Before Christmas, when Sally was looking at Jack in the graveyard. Burton used backlighting to make sally seem as if she was in love, and that they were the only ones in the room. The backlighting shows that she is there and that Jack does not know that hse is there, but feels something that he does not know. This ties into the fairy tales where they are the only ones in the room, or when a girl feels as if she is not good enough, for she sneaks around, however, he knows that he feel her but doesn’t know that he does in that moment. It also ties into the twist, Nightmare Before Christmas is a dark movie, however happy.

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Tim Burton contributes to the world of animation in the film industry and redefined stop motion . Lighting is an important cinematic technique directors can use to set the mood for a particular scene. For instance, high-key lighting is used to flood a scene with light, often making the set and characters appear happy and safe. In contrast, low-key lighting casts deep shadows across the set and characters creating a sense of danger. Burton makes good use of lighting techniques in many of his films.

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On the other hand, Tim Burton uses low key lighting which is when the scene is flooded with shadows and darkness, creating suspense or suspicion. When Peg shows up to Edward Scissorhands mansion the whole audience is probably cringing in fear telling her to not go in because of the way it looks. Edward is a pretty intimidating character to draw near with but he is the opposite of what some people would think he is, he is actually gentle and friendly. With the use of low key and high key lighting, it is hard to interpret what an upcoming shot or scene is going to look like next. Burton manipulates lighting to create intended effects so your attention is directed to a “focal

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The cinematic techniques of close-up, non-diegetic sound, and flashback are used by Tim Burton in order to create a mood or tone, show facial expressions or details, and to show an event before the stories events and can be seen in the films Beetlejuice, Edward Scissorhands, and Charlie and the Chocolate Factory. One cinematic technique Tim Burton used in his movies was close-up. Close-up is added in movies to show a character’s emotions. For example, in Edward Scissorhands, Edward was scared of Peg, when she entered the mansion and saw him in the dark attic. Tim Burton added this scene to show that Edward was scared of Peg and Edward’s face emotions matched how he felt.

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Burton also uses camera movements to give off a happy mood. As Edward and Kim are hugging, the camera zooms in on them, which makes the audience feel happy and relieved. In Big Fish, the camera zooms in on the witch's face, then zooms out as she closes the door. This camera movement makes the audience feel the suspense and gives off a dark, magical feeling to make the audience intrigued by the movie. As Edward is sick in the hospital room the camera pans into the room to create a dramatic and

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