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Greek tragedy of fate in sophocles' antigone
The role of fate in shakespearean tragedy
Greek tragedy of fate in sophocles' antigone
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In the story “Antigone” Sophocles uses the 12 different archetypes throughout his story to make the story more intense due to the different characters in the story. Sophocles represents the warrior and the destroyer a lot because they are different but yet match well together. Creon is represented as the destroyer because he makes everyone commit suicide which makes him be the only one such as explained in the motto of the destroyer. “My wife! my wife!
In an excerpt from Antigone by Sophocles, the speaker, Teiresias is stating that a good man is one who makes a mistake, recognizes it, and corrects it. Also, the opposite of a good man is one who knows they have made a mistake yet fails to correct it because of their pride. The Mayor of New Orleans, Mitch Landrieu recently spoke about why the statue of a Confederate general is being taken down. Landrieu says “We still seem to find so many excuses for not doing the right thing. Again, remember President Bush’s words, “A great nation does not hide its history.
1. Haimon attitudes when he convey his father at the beginning of the scene seem to be imploring or flattering. At the end of the scene, he starts to show that he had a mind of his own and could think, and he was just respecting his father. 2. Creon's advice to Haimon about women is that Haimon should not lose his head in women, although Creon, he himself didn't have any experience about women when he misjudges Antigone.
The tragedy, Antigone by Sophocles is a well developed take on the fight between who is applicable to be the protagonist of a story. In most stories, plays, poems, written works in general from the first literary works discovered surrounded the Hero’s Journey. The tragedy of Antigone is the one play that seems to accept Joseph Campbell’s theory but master the ideals of a protagonist but still battle for the position at the same time. It’s more or less a toss up to put it simply, but there are strong events and decisions within the tragedy that unfolds somewhat who the antagonist and protagonist is. Similar to the characters in Finding Nemo, Nemo and his father, Marlin, are a debatable pair in deciding who is the lead in the film.
This book is about or displays a tragedy about and free will and fate that the characters Antigone and Creon go through. The main characters in this book are Antigone,Creon, Ismene, Haemon, the nurse, Chorus, Polyneices, Teiresias, Sentry, and Elder thebes. The main setting in the book is in the palace of thebes then moves to smaller locations around Thebes. Creon and Antigone always had to choose fate or freewill to decide how there next outcome would be. Choosing either free will of fate would of always opened up the gate to other decisions or ideas that were behind closed doors.
Me: Hello Dr. Butler, I would like to interview you on your views towards Antigione for my research into classical representations of queer individuals. Butler: Of course. If you should require any additional information about my views on this matter you can likely find my opinion in my book Antigone’s Claim.
According to A.C. Bradley, Shakespearean tragedy have the following elements “although a tragedy may have many characters, it is pre-eminently the story of one person or at most two. The story leads up to and included the death of the hero. The story depicts also the troubled part of the hero’s life which precede’s and leads up to his death. The hero is a conspicuous person, a person of high degree. The suffering and calamity are exceptional, of a striking kind.
Antigone Essay In the play Antigone, written by sophocles in 441 BC, two main characters, Antigone and Creon, must decide who is right and who is not. There are many arguments as to why Antigone is right and why Creon is right but there are a bit more logical reasons to why Antigone is right. Out of most the arguments there are three very important and persuasive ones. These are only some of the reasons why Antigone is right and Creon is a fool.
‘Sophocles, because he was a great artist, had something more important to do even than to make beautiful plays, namely to express as directly as his medium allowed certain tragic ideas which sprung out of a certain apprehension about human life.’ (H.D.F. Kitto) Consider the merits of this statement with reference to Sophocles’ play Antigone. Putting the words tragic ideas and apprehension about human life in the one sentence is not something we do every day, but if we look at history throughout time, dealing with inevitability of death is something we do every day of our lives and always have. Death is inevitable for every human being, some people choose to use religion as a means to deal with it, others choose living life to the full with extreme sports, and others choose a life full of doom and gloom, drugs, crime or alcohol. Regardless of how we choose to live our lives it can be said that Sophocles was just merely getting the people in Athens to think about their actions while they were on this earth, and realise, that regardless of whether you believe in the archaic gods, or a god, or the king of the city as the supreme chief, and whether you will go to heaven or hell or be reunited with your loved ones after you die, your actions will always have consequences.
Justice is an underlying idea that humans revolve around. It is our sole concept that constructs how we think and behave. Justice creates morals and therefore how we judge those around us. If we didn’t have justice, our society would be in chaos and completely unruly. When identifying what is just, there are quite a few traits that can be clearly spotted.
Tragedy is intended to make catharsis by making the listeners sympathize with the tragic hero. The point of a tragic hero is to create feelings of pity and fear. A powerful tragedy leads to the audience mirroring the rise and fall of a tragic character. In the play Antigone by Sophecles, Antigone has some tragic flaws working against her; for instance, her loyalty to the gods, her stubbornness and pride, and her familial loyalty were the conspirators on Antigone’s life. Antigone’s stubbornness is a good trait for heroic character but, regrettably, it gets herself in a big trouble and also affects other characters as well.
In Sophocles “Antigone”, translated by Richard Emil Braun, Haimon, the son of the Kreon, portrays elements of utilitarianism by trying to represent the best outcome for the community to his father. A sound argument towards Haimon showing utilitarianism is that Haimon only thinks about himself. Haimon states “You direct a course for me with good intentions, and I follow it” (Braun 46). This could show that Haimon is thinking for his own good intentions. However, Haimon follows his father’s commands but politely argues with Kreon about the greater good for the community instead of himself.
Aristotle founded the idea that all the best arguments have three key parts: ethos, pathos and logos. Translated from latin, this means ethical, emotional and logical. In the play Antigone by Sophocles, the characters frequently make use of these tools when attempting to persuade another character to conform to their beliefs and thoughts. Antigone tries to get her sister, Ismene, to help her in a crime that she believes is just. Haimon attempts to lessen Antigone’s sentence by lecturing his father about what it means to be a good leader, and the Chorus is just trying to help out anyone they can with wise words from a third party opinion.
When one refers to Antigone by Sophocles, there are numerous occurrences of interruptions and violent actions which interrupt the routine processes. The text itself begins with the first prologue scene, where Ismene, Antigones ' sister and Antigone are having a conversation with one another. Antigone tells Ismene about her ideas and thoughts which she intends to do, she then tells Ismene to join her when she has to bury their brother, Polyneices. Antigone is thinking of breaking the law and going against the state, which is King Creon. In her mind she has already broken the law, but she thinks beyond her crime into the interrupting Creon 's law and preparing herself for the punishment ahead.
A tragedy is a dramatic work in which the principle character engages in a significant struggle ending in ruin and destruction. In creating his tragedy, Sophocles uses many techniques to create the feelings of fear and pity in his readers. This in turn creates an excellent tragedy. In Antigone, Sophocles does a great job at bringing out