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Is Eavesdropping In Joss Whedon's Much Ado About Nothing

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The theme of eavesdropping was portrayed with elevated meaning in Joss Whedon’s 2013 alteration of Shakespeare’s play, which illustrates the curiosity found in human nature. In Shakespeare’s play, Much Ado About Nothing, the Prince and Count Claudio decide to become the matchmakers. They devise a plan to make Benedick and Beatrice fall for each other. The Prince and Count Claudio talk to each other about how in love Beatrice was for Benedick. The two men continue by adding in that Benedick could never love her back because there is no ounce of love in him nor does he deserve the sweet Beatrice. The two men are essentially challenging Benedick and by challenging him, they turn his heart towards the light, towards the love. By Benedick eavesdropping
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William Shakespeare’s Much Ado About Nothing is a comedic play with a slight undertone of mystery, it follows the characters’ pursuit of love, lies and honor. The play follows a common theme of lies and deception and its effects on the relationship between the characters, most notably Claudio and Hero. This is explored thoroughly in the play, with Claudio being tricked by Don John into believing that Hero was having an affair behind his back, which resulted to him shaming Hero at the altar. However, in the case of Benedick and Beatrice, who start out as enemies, the lies and deception of their friends led to them accepting their love for one another. This essay will go through the following theme of lies and deception and its effects on the characters, both positively and negatively.

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Being entertained for a perfumer, as I was smoking a musty room, comes me the Prince and Claudio, hand in hand, in sad conference. I whipped me behind the arras, and there heard it agreed upon that the Prince should woo Hero for himself, and having obtained her, give her to Count Claudio. Don John. Come, come, let us thither. This may prove food to my displeasure.

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