1. What a Wonderful World by Louis Armstrong and Fleurette Africaine (Little Flower) by Duke Ellington. 2. Louis Armstrong and Duke Ellington are two of the greatest geniuses contributing to the development of jazz music. Both pieces symbolize the civil rights struggle that was part of the changing America, which Armstrong and Ellington lived in.
Jazz was a big part of the 1920’s and still is today. The jazz music relates to today because it helps us to relax when people are stressed. Music also helps people release their emotions whether it be a good day or even a bad day. In the 1920’s jazz was very popular and people would go to parties and dance to the jazz music and have a good time. The two artists that were popular in the 1920’s were King Oliver and Louis Armstrong.
In the Early 1920s African Americans began to feel the need to express themselves and thus new art, poetry and music was created. During this, one new music type exploded in popularity throughout the 1920s and began its evolution into the music now known as Jazz. Jazz became extremely popular in the 1920s do to the mixing of cultures in the instruments and the African American stories told through the lyrics that defined it. The music type known as jazz can be said to have first popped up in New Orleans but that is not necessarily true as the musical sounds actuated with jazz have been said to have came up at other places at different times but New Orleans is where jazz first got really popular.
Jazz is most often thought to have been started in the 1920s as this explosive movement, but that is in fact not the case. Starting in the late nineteenth and early twentieth century many African American musicians have started to explore their taste in improvising, and where better to do that than New Orleans (Anderson). Before the 1920s these jazz musicians have already been going around sharing the unique sound, but up until then, jazz had remained majorly in New Orleans. Interestingly during this period, a common jazz band would consist of a cornet, a clarinet, a trombone, and a rhythm section when at this period of time the clarinet is not commonly associated with being a jazz instrument, it moved into being the saxophone rather. A big
Being still irritated by times during war and propaganda members of the american public took matters into their own hands.(The Red Scare in the 1920
The US was the richest and most developed country in the world in the early 1920s weary from fighting a world war and disillusioned by the failure of Wilson's plans to create new world order. Americans sought stability than popular support for republicans grew and since the republicans promised progressive reforms but instead they aimed to settle into traditional patterns of government by 1920 more people lived in cities than in rural areas due to the industrial revolution, mass immigration and jobs during world war one. Republicans presidents were elected who helped America “return to normalcy” by using pro-business policies they also kept government interference in business to a minimum to allow private enterprise to flourish. The Harlem
Jazz music was created by the people to express their opinions and spread togetherness despite the events that were occurring during this era. Musicians showcased their views on political, social, and religious outlooks. The most
Emma Saylor Mr. Nelson H. American Literature October 18, 2014 Never Played the Same Way Once While Jazz was created in the 1920s, its peak of popularity was during the 1930s. Jazz helped people get through their difficulties and offered a break from reality. The 1930s was the most important decade for the genre of Jazz music because it was during those years that its popularity spread throughout the world. The community that Jazz offered was an extremely diverse one, especially for its time period.
The Harlem Jazz Revolution No trend in the ever changing world of art has ever lived up to the rich symphonies brought to our nation during the 1920’s Harlem jazz revolution. Many take for granted the elaborately drawn out notes and passionate saxophone of their music today, remaining completely oblivious to the humble roots these musical aspects have. If you were to trace back their lineage, you’d end up in the poverty-stricken black communities of New Orleans in 1900. Drawing upon their ancestors’ days between rows of cotton plants and vegetable fields, these descendants, now sharecroppers, combined European and African styles and meshed them with the work songs and African chants of their history (the people history). Thus, jazz blues
The Jazz Age was influential era of music, dance, flappers, and wild partying that forever changed America’s culture and normalcy for women.
Out of all the new encounters Americans made during the 1920 's, new jazz music was definitely the most monumental. Although about 71 percent of Americans were below the poverty line, it is depicted as a time when many wealthy people went out to party (Bure). Radios were more accessible now, so music was heard everywhere (Bone 469-470). Americans had never heard so much music so often, and reacted in a sort of frenzy. Americans of any income level could now own a radio, so music was a new pastime for many (Howes.
Quenci Crawford February 16th, 2018 Listen, Respect, Work Hard Class of: 2025 Jazz History The Jazz Age The Jazz Age was considered a World War I movement in the 1920s. Jazz dances also emerged from this movement. Some examples of these dances were: The Shimmy, The Black Bottom and The Varsity Drag.
The Jazz Age was a term used by F. Scott Fitzgerald to refer to the 1920s, but it was also a cultural movement that took place in America during this decade. It was also known as “the Roaring Twenties”. This movement coincided with the end of the World War I and the introduction of the mainstream radio. The era ended with the crash of 1929, which caused the Great Depression.
Initially, bebop jazz was characterized by significantly more complex chord progressions and melodies with a strong focus on the rhythm section. Although the irregular and unpredictable lengths of solos and increased sophistication made the music less suitable for dancing, it was nonetheless entertaining. Jazz had gained higher respect from a widestream audience, as it was no longer just dance music. Bebop lasted well into the 1950s, and the next stylistic revolution came during the revolutionary decade of the 1960s: fusion. Jazz fusion came into fruition when musicians combined aspects of jazz harmony and improvisation with styles such as funk, rock, rhythm and blues, and Latin jazz.
Thus rebelling against the existing structures in the jazz world. The first notable style “bebop” was so difficult for white musicians to copy and too intricate for dancing, forced audiences to sit up and listen and take note of who and what was being played. It was an underground movement not seeking commercial success but rather seeking another type of gratification, self expression. The musicians development of the improvised solo was a crucial vehicle for their self expression and the key feature of the style. Jazz being one of the few public forums for African American self expression, allowed musicians a platform to speak to their audiences and to transcend the barriers they faced in society.
