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Hellenistic art
Research paper on greek sculpture
Sculptures during the hellenistic period greeks
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More handpicked essays just for you.
Hellenistic art
Research paper on greek sculpture
Sculptures during the hellenistic period greeks
Don’t take our word for it - see why 10 million students trust us with their essay needs.
hroughout the history of Ancient Greece, many great works were produced such as statues, buildings and especially pottery. The Black-figure Neck Amphora featured at the Tampa Museum of Art depicts the mythological scene of Herakles battling the Amazon showcases the art style of the period. This large amphora originates from Vulci, Italy made in 520 BC dating from the Late Archaic period. The black-figure technique was developed around 700 BCE originated in Corinth, Greece. This difficult process of creating a black-figure pottery involves placing the clay in a kiln, or a heated oven resulting in the black color that is seen on those vases.
The stone sculpture, titled Garland Sarcophagus made by a Roman artist, this piece is created in the year AD 200-225. The Garland Sarcophagus stone sculpture is a coffin for inhumation burials of upper class, the physical condition of the sculpture is cleaned and restored. This sculpture is made in Rome, and belonged to the Roman Empire movement. The Garland Sarcophagus is not typical work, due to inhumation burials being an uncommon Roman practice during the second century A.D., until around the second and third centuries. The style of this art piece is classical Greek art, the Romans were influenced by Greek culture and literature, such as mythology.
This sculpture, seen in the image, can be found in the Greek and Roman Art Gallery in the Metropolitan Museum of Art, NYC. Although this is a Roman marble copy, the original sculpture was created by Polykleitos of Argos, one of the most famous artists in Classical Greece. Along with this piece, Diadoumenos, Polykleitos is best known for his Doryphoros or “The Spear- Bearer”. Both sculptures portray athletes.
The Black-Figure Neck-Amphora with (A) Recovery of Helen by Menelaos and (B) Battle Scene is a Greek pottery artifact dating back to the 6th century BCE. The amphora depicts two scenes in black figures against a red background, known simply as a black-figure ceramic. Scene A shows Menelaos, recovering his wife Helen from Paris, while Scene B shows a battle scene between two groups of warriors. The depiction of this story on the amphora served to reinforce the heroic ideals of the Greek society of the time, where bravery and honor were highly valued.
The sculpture represented an olympic event that was obviously important to the ancient Greeks and it suggests that the ancient Greeks valued people that are fit and
Title of the Artifact: Ancient Greek Relief Type of the Artifact: It is a sculpture Material of the Artifact: It is made of marble Date of the Artifact: It was made in 330 B.C Provenance of Artifact: It is found in Athenian State Memorial Location of the Artifact: The sculpture is from the New York Carlsberg Glyptotek collection. The scripture is depicting a soldier wearing a combat while holding his weapon high ready to strike an enemy on the ground. This shows a defeat to the enemy. Ancient Greece has been a battlefield from its history but the Greek Dark Age came to a close as many people agreed the urbanized culture to be restored leading city-states to rise.
The Classical statues are simpler and more precise in portraying the subject, while the Hellenistic Statues are more detailed and express greater emotions. Glykon uses the Hellenistic Style to allow the viewer to see a more unrealistic sculpture depicting emotion and passion. Classical Style was a way of realistically expressing the artist’s perspective on what he thought something should look like. The sculpture, Farnese Hercules, expresses the tired and weariness of Hercules’ face. His downcast eyes and expression in his face has earned this sculpture another name, Weary Hercules.
According to Getty.edu, the art piece was named after Lord Lansdowne, a British noble who displayed the statue in his estate in London. The origins of the statue are unknown but speculated to be a Roman copy made from the famous school of Polykleitos. Workshops during ancient times tasked aspiring students with the menial labor of creating backgrounds and most of the form of sculptures; the masters finishing them up with the fine details such as the face and especially hands. Many Romans were quite fond of Greek culture and art, emulating and duplicating them on numerous occasions.
Creating an amazingly life-like appearance to its sculptures, not only demonstrated, in my mind, a higher intelligence, but is defiantly a tribute to their focus on superior strength and fitness. Although the realistic style was soon changed to create an even more ideal human figure, the understanding of the human body and how to recreate it through art was only the beginning of Greece’s contribution to the “classical ideal.” After their rise to power, gained by their triumph over Persia, the Greeks again changed the way we see art. This time they turned to their knowledge of geometry, focusing on the creation of grand architecture as their medium.
He is a marble statue found in the ruins of the Athenian Acropolis, a bit smaller than life-sized, and is dated at 480 BC, a transitionary period from the Archaic to Early Classical era of Greek art. He is an emerging youth nearing the cusp of puberty, with a weight shift characteristic of this artistic period. Overall, the piece displays an incredible understanding of human physiology, and has moved away from the twisted perspectives and unnatural stiffness of earlier art. An anatomical chain of events occurs with the weight shift, and his overall musculature and skeletal structure are unforced and lifelike. He is the most famous Early Classical statue.
The sculpture Doryphoros or “Spear Bearer” was created by sculptor Polykleitos in the Early Classical Period around 450-440 B.C.E out of bronze but was later recreated out of marble material. The ancient Greeks thought the human body was perfect, not the body itself, but how the mathematical proportions of every part of the body were in perfect relationship to the others. Polykleitos set out to capture what would perfect ideal beauty be? The idea that you could create a perfect body based on math was part of a bigger set of beliefs for the Greeks.
The Greek sculptures reach the new height of beauty, not only because the mastery of the technique, but also the fascination of human body. Greek art uses the outer appearance to reflect the inner power, it is the representative pattern of western art. The myth inspires the creation of sculpture. The fantasy of nature and society and the admire of god’s shape and personality makes the sculpture more multiple and abundant.
In both sculptures the hair is deeply carved and is a vivid feature of the busts. The detail of realism in David’s left hand we can see his veins on his hands when he is holding the slingshot and his ribs near the chest. In the bust of Commodus we can see the similar detail of his hands especially the joints above the knuckle area and how realistic it looks when he’s holding the apples and Hercules club on his. In both busts chest, arms and face are sooth. In both busts these sculptures have the portrait of emperor Commodus and the small town hero David as musculant where as in real life they weren’t this is done because Romans believed that the god made us humans and by showing David and Commodus as being musculant hey are portraying them as gods and God were portrayed to be musculant and strong.
Uncontrolled emotionalism and shameful truth were now common characteristics to most of them. Still throughout the hellenistic, many sculptures were distinguished by their calmness, grace, and compassion for human suffering. The Ancient Greek sculptures were commonly made from stone or wood and very few of them are still existing to this day. Many were made to reflect the image of a freestanding human form even when the statue was of a god, and for this reason many of the sculptures were naked, the Greeks saw nudity as something beautiful. Other of the sculptures showed athletic figures, to essentially portray what the Greeks perceived as an ideal human and what it should look
Sculpture specifically focused on both human potential and achievements, plus the human experience. Firstly, the Greeks often sculpted humans instead of animals or monsters, which is human-centered enough. When they did sculpt gods or goddesses, these deities were anthropomorphic, having human characteristics. Classical sculpture used nudity to depict the ideal human form; subjects were often young male athletes or soldiers, epitomizing human potential and achievement. Hellenistic sculpture was more realistic and emotional, where the subjects were everyday people; this style focused on the struggles included in the human experience.