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Virginia woolf and her contribution to Feminism
Virginia woolf and her contribution to Feminism
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Whereas, Virginia Woolf, however, seems to perceive life as pointless, meaningless, and reveals that life’s struggle with death is inevitable. Woolf personifies the moth by describing the moth as “him” versus “it” in order to showcase the aspect of life of all living things and not just the moth. Wolfe describes the life of a moth flying across a window seal then the second time the moth seemed either “so stiff or so awkward that he could only flutter to the bottom of the windowpane; and when he tried to fly across it he failed”. She then describes watching the moth’s futile attempts to fly across the window only to stop momentarily then to “start again without considering the reason of its failure”.
Death is inevitable; the end of existence is a fixed event that will ensue all life. Nevertheless, life perseveres against the odds of the world. The struggle for survival is examined in Virginia Woolf’s The Death of the Moth and Annie Dillard’s Polyphemus Moth, both in which a moth - seemingly insignificant lifeforms - engages in a match with death. Although both moths face adversity and fight to live, the certainty of death is confirmed when the Woolf’s moth’s natural passing comes.
“The butterfly is nature’s way of reminding us that there is hope in grief when a caterpillar is no more and the butterfly exists in ultimate freedom and beauty.” These words of Tanya Lord perfectly describe the allusion of butterflies that caught my attention while reading the book O Pioneers! By Whila Cather. There are two main setting in which butterflies appear throughout the novel, after doing research I found many interesting facts of butterflies, and was able to better understand why Cather used this allusion.
Julia Alvarez’s In the Time of the Butterflies is a work of historical fiction set in the Dominican Republic that focuses on the four Mirabal sisters who bond together to rebel against the corrupt leader of their country, Rafael Trujillo. The four Mirabal sisters, Patria, Dedé, Minerva, and María Teresa form closer relationships with each other as they figure out a way to bring down the tyranny of Rafael Trujillo. Although they have a mutual goal, each of the Mirabal sisters has different feelings and thoughts throughout this time period. The theme of coming-of-age and identify is best exemplified through the character of María Teresa, known as Mate, through the ways she matures throughout the novel and becomes her own person who stands up for what she believes in.
What effect is Woolf striving for? The effect Woolf striving for is the Woolf want reader to respect the death because it is very powerful. According to the essay, she says, “ death is stronger than I am”. This shows that Woolf realizes that death is unavoidable.
The novel written by Julia Alvarez, In the Time of the Butterflies, is about four sisters: Patria, Dede, Minerva, and Mate Maribal. They live the the Dominican Republic during the presidency of Rafael Trujillo, a ruthless leader. As they grow up, resistance groups start assembling, and the sisters join in hopes of saving their country, while also trying to live their lives. The theme of fighting and also trying to maintain normalcy in life is the best theme in the entire book.
She does not use facts and logic like Petrunkevitch but, instead uses metaphors and an imagery to convey her message. “It seemed as if a fibre, very thin but pure, of the enormous energy of the world has been thrust in into his frail”, instead of simply describing what she saw like Petrunkevitch would have done, Woolf describes the deeper shiz of the moth’s actions. She does this to give the moth (metaphor for life) a sort of beauty then later saying, “the moth having righted himself now lay most decently and uncomplainingly composed”, to show the drastic change that death brought to the moth. Her metaphors help the reader understand and respect the power of death. Unlike Petrunkevitch who states and proves his thesis in his essay, Woolf never says her main idea but instead explores the idea of death through her essay.
The brief flash-back to the man standing below who has “no such illusions” of the moon, provides the reader with a nod back to reality as well as yet another reminder of the queerness of the Man-Moth and his “false” perspective. The last two lines of this stanza are the richest, stating, “But what the Man-Moth fears most he must do, although / he fails, of course, and falls back scared but quite unhurt. These words encompass a raw human instinct, the will to do what we fear most. However, the fact the Man-Moth remains unhurt in the process also exudes a sense of the human error of misperception, like the common fear of spiders or a child’s fear of jumping into a swimming pool.
The moth which was once full of life, and excitement, was knocked over, and battles death to find its way upright. As the moth struggles to right itself, Woolf says, “The unmistakable tokens of death showed themselves.” The inanimate force of death is being represented as something animate, in a way personifying, that is causing a physical toll on the moth. Woolf uses this metaphor to show death as an object, which can consume life, and in this case, the moth. As we just knew the moth as a Lively, and nimble , we know know the moth as life that is weakening so rapidly.
The third stanza gives imagery of the Man-Moth’s desire, persistence, and fearfulness
The play, Who’s Afraid of Virginia Woolf, written by Edward Albee in 1962, is set on a chilly winter night in New England University during the time of The Cold War. It gives a vital insight into the American life through two couples while bringing out the raw human truth behind the phony exterior portrayed by the society. Albee presents characters caught in hopeless, repetitive, and meaningless situation, trying to battle their inner turmoil between truth and illusions. The meaninglessness of life is further brought out through the distorted relationships between the characters by Albee’s characterisation. He brings out the sense of Nihilism where the lack of belief in the world is fuelled by the fear of a nuclear war.
Everyone leads different lifesytles and varying experiences, but no matter how diffrering a humans life is, it all ends with death. The essay “The Death of The Moth” was published posthumously in 1942, a year after Virginia Woolf lost a battle with depression and mental illness, and at age 59 committed suicide. Virginia Woolf 's "The Death of the Moth" shows the audience the power of death through a short narration about everyday, yet very symbolic moth. Woolf uses her own experience of watching a moth die to apply it to a larger theme. Woolf connects a simple moths lifespan to paint a gorgeous picture of “life” and then destroys it right in front of the audience 's eyes, to leave a lasting impression of Woolf 's perception of life and death.
Woolf explores this notion through Mrs Dalloway, where the recurring motif of Big Ben that marks the changing hours conveys how time dominates and controls every individual’s life, leading them to their inevitable death. Clarissa reinforces this through the “late age of the world’s experience had bred in them…a well of
Woolf’s views on work are elitist. She highlights this herself when she says her first purchase with her first paycheck was a Persian cat. Most women of that time are looking for a job did so to keep food on the table and sustain life in general. As she mentions in her essay “when I came to write, there were very few material obstacles in my way” (Woolf 307). She was considered very privileged for her time.
The death of Edward’s mother, Queen Victoria, means the end of the Victorian age. Edward’s reign and rule was short i.e. (1901-1910), however for people who attended the period, it was completely different from its previous era. It was the beginning of a new era named “The Modern Age” or the world before and after the Great War. Throughout Woolf’s life, she had many periods of depressions, though also a love life with males and females. Critics like Eileen Barret and Patricia Cramer declare that Woolf has incorporated many of her own experiences in her fictional works.