William Blake Research Paper

The Impact of William Blake on the world

Once known for his peculiar and unfamiliar views, William Blake emerged to be remembered as one of the most fashionable poets of his lifetime. Although not popular amongst the general population, Blake “believed that his poetry could be read and understood by common people.” William Blake was a strong and humble writer who valued freedom, creativity and vison. The majority of his works have been associated with the “Romantic Movement”, an era that was solely based off raw and strong emotions that went into depth with the way people felt and connected with others. William Blake valued many artists in his generation but dismissed 18th century modern literary and preferred traditional artists such as Michelangelo,

At this age, Blake begin to recognize his love for painting and expressed his desire to become an artist, so his parents made the decision to enroll him at Henry Pars’s drawing school in the Strand. The decision made a lasting effect on the writings and poetry Blake later created in his adulthood. During his time in school, William Blake, learned how to master the art of drawing the human figure. He did this by duplicating casts of ancient status. Then at the age of fourteen, William begin studying and working with an elite engraver named James Basire. After seven years of learning this style of art, Blake became a professional engraver. During that same year, he was then accepted into the Royal Academy of Arts School of Design, at this point his artistic vitality came out and he began developing and publishing his own works in

These revolutions altered the lives and attitudes of many people. As a Poet, a painter and an engraver, William Blake thrived to make a difference by making political and social statements through his works. In 1783, Blake printed his first work of art called “Poetical Sketches”, which consisted of poems he had written in protest against the war, oppression, and King George III mistreatment of the American colonies. Also, collections such as “The French Revolution” (1791), “Europe, a Prophecy” (1794), and “America, a Prophecy” (1791) revealed his strong disapproval of the English monarchy and the oppressive government in