Biblical Allusions In The Matrix
622 Words3 Pages
One of the most obvious and key Christian references within the film is shown through Keanu Reeve’s character Thomas Anderson. His first name Thomas is derivative of Saint Thomas the apostle who was one of the twelve apostles of Jesus Christ. Whereas, his last name Anderson etymologically means
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The Medieval film industry unexpectedly emerged as a relatable, highly entertaining industry in the 20th Century and many weren’t sure why. Medieval films have two layers to them: the first being of historical precedent and the second being of creational bias. The following paper will address how the three movies 300, El Cid and El Naser Salah Ad-Din provide insight to the denial that members of the three Abrahamic religions portray against each other, as well as how the creators of each film frame the plot in order to validate events happening at the time of the movie’s creation. In order to best get a grasp on how denial transcends time, it is imperative to not focus on what is wrong in a movie, but why it is wrong.
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Neo is referred to throughout the film as “the One”, the chosen one, which also describes Jesus Christ - a messiah, sent to deliver salvation. References to Christianity proliferate in the film, which is an allegory for the Christian faith and that Neo is a modern-day Jesus. The Matrix is remarkable for the breadth and depth of its religious references to Christianity. Though pervasive and often thorough, none of the religious references build into a cohesive allegory, and many of them appear and disappear quickly. In the film, Choi, says to another, "Hallelujah.
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Barbara Kingsolver does a wonderful job with incorporating literary devices into her novel. These literary devices help the reader to experience the words written on the page and it allows the reader to think that they are actually living the story. One major literary device that Kingsolver uses throughout the book to show her ideas to the reader is imagery. “Her dark hair is tied in a ragged lace handkerchief, and her curved jawbone is lit with large, false-pearl earrings, as if these headlamps from another world might show the way.” (pg 5) When I hear these words, I am able to paint a picture inside of my head of Orleana Price.
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