Edgar Allan Poe Accomplishments

A wretched figure lies on the bed, with his face drained of color and eyes devoid of light, for his heart beats but was filled with excessive liquor from the countless bottles scattered around him; for his lung plummets but was fluxed with indistinguishable remains of the brown dusts below him; for his head moves but was sent to an unreal realm of fantasies above him. Even in the eyes of a child, this man, who is no different from his dead self, would be seen as a miserable and hopeless disgrace of the society, yet these descriptions accurately apply to Edgar Allan Poe, the founder of horror novels and detective stories and , more importantly, a renowned poet known for his morbid style of writing. Though this coexistence of despondency and

Poe’s panache in the blossom of romance and the loss of love can be found in the macro-effects of the early Nineteenth centuries and Poe’s own micro-level of a repleted life of depression . Writers are born of their times, and Poe was no different from that. As his time on this planet was almost parallel to that of the Romantic Era, Poe “read voraciously...of gothic romance” (Snodgrass 1), a specific form of specialized literature in the syncretism of horror and its opposite emotion of love and other emotions, since his teenage years. Therefore, it is no coincidence that Poe’s motif of endearment and the collapse of that concept are similar to gothic romance, for he was born at a time when Romanticism was fresh and expanding. Had he been born in a different time, it would have been exponentially more onerous for him to learn about this style of writing, albeit the idea did develop independently from Poe’s own life. Born on January 19, 1809 in Boston, Massachusetts, Poe spent two years as two

American scholar, Jerome J. McGann, in his book The Poet Edgar Allan Poe : Alien Angel, regarded Edgar Allan Poe as an marvelously special character with an “unremittingly vulgar and theoretically advanced” (McGann, 2) fashion as he constructed his poems. In accordance with the McGann’s view, Poe’s poems are sordidly inclusive of macabre or mentally disturbing scenes are an almost quotidian manner, and even in Annabel Lee, a poem considered to be extensively less of grotesque scenes and more of one’s strong notion of love, the poem featured the Narrator’s repeated obsessive fondness over the control of Annabel Lee and the happiness to sleep next to her tomb. In addition, Annabel Lee’s compilation of romantic, with regards to love, and gothic, with regards to death, writing was not commonly seen in the Romantic Era, and its difference, though theoretically advanced, stood out as one of his most famous poems and inspired many poets. Since Poe’s character is similar to that of his poems, latter scholars solidified the influence of Edgar Allan Poe himself onto his style of