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Killing The Big Video Game Industry Analysis

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In “Big Game Studios are Killing the Video Game Industry,” Dann Albright calls out big video game developers for consistently failing to cater to their target market. Instead of making great games with a high replay value, these developers create games with several bugs and micro-transactions, while simultaneously serving countless injustices to their employees. Albright states, “It’s clear that major game studios have a big problem with their relationship with gamers,” and “indie studios are leading the field.” Dann Albright’s accusations of big video game developers are far from far-fetched; Because of the miscommunication between big game developers and their target market, major video game series are becoming increasingly disappointing. The first and most important issue with the big video game studios that Albright calls to attention is the development of disappointing games. Some examples he includes in his article are Assassin’s Creed: Unity, Destiny, The Order: 1886, and Helldivers. The first three are games released by major developers that promised “ground-breaking …show more content…

A major issue is the myth turned confirmed evidence of big game developers giving “’incentives’ and ‘gifts’” to game journalists in exchange for good reviews of their games. While I always had a suspicion towards some game journalists, such as IGN consistently giving buggy games high ratings, I never really considered that it was true! Of course, every industry has its corruption, so it really doesn’t seem too far-fetched. A second injustice, also universal to every industry, would be the treatment of women in the video game industry. As Albright writes, “sexism is absolutely rampant in the video game industry, both in games and behind the scenes.” He saves the rest of that argument for another article, and honestly, I don’t blame

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In “The Gamer’s Dilemma”, Morgan Luck seeks to align the moral standards of virtual murder and pedophilia. To this end he examines five arguments that are used to defend virtual murder while denounce virtual pedophilia. They are as follows: • Social acceptability A. Here Luck attempts to dissuade the notion of moral relativism. He does so with an illustration from history that of slavery, by showing that slavery was socially acceptable he claims thusly that it must be viewed as morally correct in the realm of this argument.

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Many of those who criticize videogames do this by comparing them to books. This comparison is seen as injurious and incorrect to author Steven Johnson. He believes the two are separate from each other and should not be looked at as one in the same. In his essay “Games” he outlines and argues that reading and gaming are different from each other, that both should be valued in their own way, and that books are crafted for and are better at expressing knowledge and opinion. A book and a video game are more unalike than many are willing to believe; they are both completely different mediums.

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The video game industry has had numerous controversies related to various topics, such as violence, explicit graphics, addictions and sexual themes. In this essay I am going to be exploring how women are represented in video games and in particular, I will be focusing on the contrast between Lara Croft and Princess Peach. Lara Croft appears in the Tomb Raider series and Princess Peach features in many Nintendo games such as, ‘Super Mario Bros’, ‘Mario Galaxy’ and her own game ‘Super Princess Peach.’ She is mostly a non-playable character in the games. In the history of gaming, ‘The Damsel in Distress’ has remained one of the most widely used clichés and misrepresentations.

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Known for their popular video game series, the Elder Scrolls and Fallout, Bethesda Games Studios (often shortened to ‘Bethesda') is an American video game development and production company that was established in 2002 (Wikimedia Foundation, Inc.). This paper employs a ‘political economy' method to investigate, analyze, and explore the ownership structures that are characteristic to this media company. To draw upon the work of Timothy Havens and Amanda D. Lotz "media do not fulfill essential human needs," however, "many people nevertheless see media as central to their lives" (Havens and Lotz). Because media play an important role in contemporary society, it is imperative that the "instances, mechanisms, and occurrences" that underline the

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