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Gender roles in ancient civilizations
Gender roles in ancient times
Gender roles in ancient times
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The Ancient Greeks laid foundations for the Western civilizations in the fields of math and science. Euclid, a Greek mathematician known as the “Father of Geometry,” is arguably the most prominent mind of the Greco-Roman time, best known for his composition in the area of geometry, the Elements. (Document 5) To this day, Euclid’s work is still taught in schools worldwide.
The sculpture represented an olympic event that was obviously important to the ancient Greeks and it suggests that the ancient Greeks valued people that are fit and
The period between 500 B.C.E to 338 B.C.E is referred to as “Classical Greece” due to the many achievements taken place, as well as the blossoming democracy in Athens, under the leadership of Pericles. One of the major confrontations during this period was between the Greek states and the Persian Empire. By the beginning of the 5th century BCE, Persia conquered Ionia, Thrace, and Macedonia while under the rule of Darius, and continued to expand his empire westward into mainland Europe.
If you have never had the opportunity to see the Parthenon in Greece and the Pantheon in Italy, it’s possible that the similarity of the names would lead you to believe that they are the same or, at least, almost identical. While it is true that certain elements of the buildings mirror each other, there are major differences in their structures and functions. The architecture of each reflects the cultural ideals of the times. After the Greeks overcame the Persian invasion, Athens became the head of all of the Greek city-states. During this period, the country enjoyed peace and great prosperity.
The Acropolis of Athens and the monuments inside it are characters of the classic cultural background of Greece. Gods and goddesses mark the universal idea of Greek art and society. Upon this rocky hill, a group of artists and sculptures alike expressed the thoughts of Athens at the time through temples, statues, theatres, and more (Centre, UNESCO World Heritage. “Acropolis”). During the day on June 18th, I plan to tour this gorgeous glimpse of the fifth-century bc.
Women in ancient Greece played a crucial role in religious worship. They participated in the Panathenaia festival, which was held in Athens every four years in honour of the goddess Athena. Women were responsible for making the peplos, a garment worn by the statue of Athena during the procession. The women responsible for making the peplos were called ergastinae. The importance of women's participation in the creation and offering of the peplos demonstrates their significant and highly valued role they had in religious worship in Ancient Greece.
However this is a notion that was likely limited to the upper classes of societies, lower classes, in particular prostitutes, though not depicted nude in statue, were likely exposed in a more public setting during this period. During the Hellenistic period this concept shifted, with an increase in depictions of women including goddesses Hera and Aphrodite (Shipley, 105). This is exemplified The Aphrodite of Knidos and The Winged Victory of Samothrace, showing the growing acceptance of the female form and a more gender-neutral standard of beauty. The increasing focus on feminine beauty in such pieces was an aspect of the new Baroque style of the period, which used elements such as eroticism as depicted through the detailed, thin draped cloth on the sculpture belted to accentuate the goddesses figure. This was meant as a means of
Creating an amazingly life-like appearance to its sculptures, not only demonstrated, in my mind, a higher intelligence, but is defiantly a tribute to their focus on superior strength and fitness. Although the realistic style was soon changed to create an even more ideal human figure, the understanding of the human body and how to recreate it through art was only the beginning of Greece’s contribution to the “classical ideal.” After their rise to power, gained by their triumph over Persia, the Greeks again changed the way we see art. This time they turned to their knowledge of geometry, focusing on the creation of grand architecture as their medium.
The design of the Parthenon was reflection of the then current Grecian Empire. According to Silverman (n.d.), “the Parthenon represents the tangible and visible efflorescence of Athenian imperial power. It symbolizes the power and influence of the Athenian politician, Perikles, who championed its construction”. The style and function of the building being a reflection of the culture is reflected in the Orders of the design.
Greeks would perform athletics nude in celebration of the body and it’s physical abilities. Although many people might assume that this sculpture is about war because it is named “Spear-Bearer”,
Throughout the Archaic period, the majority of Greece’s affluent cities were ruled by tyrants. This “age of tyranny” as it was named, was not only a transitional stage in the Greek polis’ political development, but in the development of art during the Archaic period as well. A Greek tyrant was someone from the aristocracy that gained his political power through a military coup. In order for the military coup to be successful, along with the continuation of the tyrant’s new-found power, he needed the full support of the people.
The Greek sculptures reach the new height of beauty, not only because the mastery of the technique, but also the fascination of human body. Greek art uses the outer appearance to reflect the inner power, it is the representative pattern of western art. The myth inspires the creation of sculpture. The fantasy of nature and society and the admire of god’s shape and personality makes the sculpture more multiple and abundant.
Built by the Greeks of Athens for their patron goddess Athena, The Parthenon was an enormous
In this essay I will be exploring the role of the chorus, what purpose they serve in certain events and how they help to foreshadow the plot. The Chorus in Antigone is made up of old Theban men, mainly because the young people died in the battles. They also represent in some ways the embedded patriarchal (male dominated) society that Antigone defies. They also lay the foundation for the occurrence of the incidents unfolding in the play, by outlining the background to the present actions. The Chorus at times seems to directly affect the action in the play.
The Parthenon in Athens and the Pantheon in Rome depict the splendor of these two cultures. Starting with the Parthenon, it was completely constructed in 432 B.C.E by the architects Iktinos and Kallikrates to honor the Athen’s patron deity, Athena, and to house her statue. It is rectangular and consisted of a series of Doric columns. However, it is a mixture of the Doric and Ionic orders. The Pentelic marble, bronze, gold, and ivory are the basic media used in this construction.