American Institute of Architects Essays

President and CEO of the American Institute of Architects. One of his most notable accomplishments is acting as the Editor in Chief of Architectural Record. During his time with the publication it rose to amazing success which is certainly due to his leadership role with the publication. Certainly, Ivy has received numerous awards during his career. Recently, Robert Ivy received the Noel Polk Lifetime Achievement Award. This award was bestowed upon him by the Mississippi Institute Of Arts And Letters

AIA The Executive VP and CEO of the American Institute of Architects (AIA), the preeminent association of architects in the US, Mr. Robert Ivy is widely respected for his stellar leadership and experience. His rise to fame can be traced back to the 90’s when he became the editor of an architectural magazine. According to Crunchbase, Robert was appointed the Chief Editor in Chief of Architectural Record in 1996. Under his leadership, the publication grew into the most widely read architectural journal

I am writing to declare my interest and candidacy to serve as the 2017 Associate Representative on the American Institute of Architects (AIA) Strategic Council and to demonstrate how I can effectively serve the interests of the Associate AIA membership, emerging professionals, and the National Associates Committee (NAC) at the highest levels of the Institute. Having served on the NAC since 2014 as a Regional Associate Director and as an At-Large Director on the Advisory Committee I have a rare perspective

Those who can convey their ideas can change the world, and those who stand alone fighting for their ideas are the strongest among us all. This is one of the many deep massages that were sent by the director Sidney Lumet throughout his masterpiece 12 Angry Men. 12 Angry Men is one of the most memorable movies from the year 1957. It is also considered as one of the top 100 movies of all time on the review aggregate website Rotten Tomatoes (Top 100 Movies of All Time, n.d.). This artistic movie is an

In every generation an individual can discover his or her own particular hero, regardless of whether in art, politics, or history. In the film business, however, is that truly the case? The pioneer who molded the work of art are the ones yet claiming the most impact on movie makers today. Influence is characterized as that abstract power which can influence an individual, thing or course of occasions. Many trust that movies, more than some other work of art in the previous century, have a keen impact

This Ain’t Your Daddy’s Oil: The American Petroleum Institute’s Plea for American Hearts The debate about the merits or lack thereof of the use of petroleum has long polarized American citizens. To many, the oil industry invokes immediate images of profitable business ventures or environmental degradations, language alignments which have synonymized these images with the petroleum commodity itself. Calamities such as the BP oil spill have only added to the negative associations attached to the oil

Before the 20th century the United States was an isolationist nation but around the late 19th century America decided to convert into an imperialist power. They had numerous reasons to shift into being an imperialist nation. America didn’t want to begin imperializing to settle and live in the nations they were taking over, they already had America for that reason, they wanted to adopt these nations for what they had to offer, which was many things. America saw an opportunity to improving their nation

new series of frank and fearless thought expressed and co-ordinated in stone" - The Studio magazine (1902.) This quote describes Townsend's biggest achievements: The Bishopsgate Institute, The Whitechapel Art Gallery and the Horniman Museum. These buildings are showing us that Townsend was inspiring and original architect who used his own individual and unique style. Townsend`s usual work was for small scale projects, like restoration of churches and cottages into residences in London and Surrey.

importance of individualism and non-conventionalism in throughout his career as an architect. Wright believed that the new styles of modern American architecture during the early 20th century should be created without the influences and teachings of earlier classical architecture. Frank Lloyd Wright opened the Frank Lloyd Wright School of Architecture in 1932. Wright designed this institution to teach architects of this time to study architecture and experience architecture in a way that was unprecedented

The early life of Frank Lloyd Wright began when he was born June 8, 1867, in Richland Center, Wisconsin. He was born to a mother, Anna Lloyd Jones, who was a teacher from a large family who had settled in Spring Green, Wisconsin, where Wright built his famous home, Taliesin. Wright’s father, William Carey Wright, was a preacher and a musician. Wright's family moved a lot when living in Rhode Island, Massachusetts and Iowa before settling in Madison, Wisconsin, when Frank Lloyd Wright was 12 years

famous architects. Sullivan was born in 1856 and his career took off from there. His amazing work at building tall structures and skyscrapers contributed to the world in many ways. He built tall buildings unlike others, and his designs helped progress architecture. Louis Sullivan was born on September 3, 1856 and grew up in Boston where he developed a love of architecture: “He left high school early to study architecture at Massachusetts Institute of Technology.” (American Architects) He

is arguably one of the most important and influential American architects of all time. Sullivan is a major contributor to the modern movement and is greatly attributed to the urbanization of American society. Throughout the late 1800’s and early 1900’s, his focus on the expansion of steel buildings led to an innovative design technique. To this day Sullivan’s techniques and creations still continue to greatly and positively influence American society and city development as a whole. Louis Sullivan

I will be talking about the two architects and how they developed and how they decide or be inspired to create the buildings. These two architects are both known for there outstanding and unique architecture. The two main points that will cover in my essay is the comparison and the differences and the sub-topics will include some history about the two architects about where they grew up, where they learned architecture, where they started there journey as architects and what made them different from

always wanted to change the world. Since I was a young child, I wanted to be an architect. My mother always tells the story of one day when I came home from kindergarten, and upon entering our home immediately asked her if I would be an architect in the future. A question that baffled my mother as no one in my family, one composed of working-class Dominican immigrants, had ever been to college, much less were architects. From a young age, I created fantastical worlds using toys such as Legos to structures

Mississippi River, so before 1816 it was the only church of any denomination that was for local settlers. The church is the beginning of Catholicism in the Colonial West (Basilica of St. Louis). The Old Cathedral was completed in 1834, and its architects are Morton and Laveill. They created this building to have a Greek Revival and Neo Classical style. The building is Greek Revival by its doric columns and tower, while it is Neo Classical from its windows (Basilica of St. Louis). Finally, I included

school at the age of sixteen before entering the Massachusetts Institute of Technology. He spent a year at the institute before taking an Architect job in Philadelphia under the firm Furness and Hewitt. Sullivan moved to Chicago in 1873, working for William Le Baron Jenney before entering the École des Beaux-Arts in Paris. Returning to the states after a year, Sullivan continued to work for various firms before making partner at architect Dankmar Adler's firm in Chicago. Sullivan and Alder worked together

periods of time, not finishing a degree until 1941. However, this was not detrimental or careless, as it afforded her the opportunity to interact with many of the most influential modern architects of the time, such as Eliel Saarinen, Walter Gropius, Marcel Breuer, and Mies Van der Rohe. The first educational institute that Knoll attended was the Kingsbrook School for Girls from 1932 -1934, where she first demonstrated an interest in architecture and design. After finishing at Kingsbrook, she spent

juxtaposing his two main characters, Daniel Burnham and Henry Holmes. The book itself is about the 1893 World’s Fair, the first ever World’s Fair. Burnham was a talented architect working on the Fair with his partner, John Root, who died of illness early in the construction of the fair. Burnham was a successful businessman and architect, despite his lack of formal education. Holmes was also successful. He was a suave man that also happened to be a serial killer, a doctor and a pharmacist from New Hampshire

The partnership of two men was perhaps the most famous and influential in American architecture. In ancient scriptures, the great Marcus Vitruvius Pollio once said, “A structure must exhibit the three characteristics, it must be solid, useful, beautiful”. This important quote inspired both Louis Sullivan and Dankmar Adler, two of Chicago’s most appreciated architects. These two men were crucial in the rebuilding of the city, after The Great Chicago Fire of 1871. It was almost as if they were destined

he then had attended Harvard for a year and left with his masters degree in architecture. In 1960, Graves had won the American Academy in Rome’s Rome Prize, this allowed him to study ancient structures in Rome for 2 years. After his 2 years in Rome, he later became a professor at Princeton University’s School of Architecture. Outside of teaching Graves, active modernist architect consequently the structures he had designed went with the movement. But Graves would not stick with the modernistic movement